Collection (Dulaang UP)

February 23, 2013

"Collection" is a piece of original Filipino theater originating from the fertile imagination of multi-awarded playwright Floy Quintos and directed by Dexter Santos. I did not read the synopsis of the play before I watched it.  I did not even know who was in the cast.  Now that I have seen it, I have to say I was totally blown away by it.  I do not think I had ever watched a play quite the same as it.

The title is nondescript, does not say much.  The ticket simply billed it as a "very dark comedy."  I totally did not expect what would come out on stage.  The very first scene was an auction with no less than the Banaue Rice Terraces as a piece of real estate up on the block.  This shocking opening already sets the over-the-top, bombastic mood, pace and scope that would characterize the next three hours of complex, witty and mesmerizing theater.  The play would go from the mystic 17th century to the electric future, with a vivid script in both English and Filipino, on an impressive and innovative set that looked like it had doubled the size of the old Wilfrido Ms. Guerrero Theater stage miraculously.  

The story was set in the Philippines, in a year when there is nothing sacred anymore except money.  Everything is for sale already.  A government agency called the National Council for the Disposal of Patrimony (NCDP) cooperates with a private auctioning firm to sell pieces of Philippine culture and history in order to raise funds to give measly dole-outs to the masses in the form of a national raffle.  The next item up for bids would be an icon of the Virgin Mary with a back story most melodramatic that it would capture the intense materialistic fancy of even the most hedonistic of billionaires.  To whose collection of treasures would this coveted ivory statue go to?

If the script by Floy Quintos was mind-blowing and the direction by Dexter Santos was inspired, the actors in the cast were more than capable to embody and bring to life the challenging and larger-than-life characters of "Collection."

Jeremy Domingo plays Carlo Vibal, the celebrity auctioneer.  This actor I have seen in many roles before, but this one is the very best I have seen him in.  Domingo effectively essays the public arrogance and the private guilt of his complex character.  His best scenes were his "conversation" with a ghost from centuries past, all the way up to the shattering climax of the final auction.  That stage moment is so triumphant,  I would already end the race for Best Actor in a Play for 2013 right here this early with this flawless characterization and performance.

I do not think I have seen Stella Canete before, but her portrayal of the jewelry magnate Tatiana is a favorite of mine.  Her scene in the second half where she extols her own plans for a basilica for the Marian icon was pure comedy, striking brutally at the hypocritically "religious" Catholics.  I was in stitches during this wildly funny number.  Her partner in that scene was Jules de la Paz, who was simply hilariously irreverent, as a gay social climber who had supposedly reformed.

Alexander Cortez was clearly enjoying himself in the character of the flamboyant homosexual film director Alphonse.  He had a lot of naughty one-liners throughout the play.  His notable dig to the idealism of the student protest leader Gus (Red Concepcion) was very memorably funny.  

Talking about enjoying oneself, I would say the same about Jean Judith Javier who positively went to town playing the NCDP head Helena with utmost glee.  She would neurotically vacillate from Madame's Imeldific-isms to Miriam's Brenda-isms to the delight to the audience.  She has come a long way since I first saw her as Sisa in "Noli Me Tangere, the Opera."

Leo Rialp played aristocratic Spanish industrialist Don Manolo Estancio, while Roeder Camanag played Chinese beauty taipan Dr. Stephen Yan.  These two actors had a particularly memorable scene doing their usual "routines" as they discuss about their business philosophies, side by side .

Young Teetin Villanueva will move you and shock you with her courageous performance.  Her portrayal of the tragic Hermana Augusta Beata is haunting and heart-rending.  Her performance was a bit marred by some sound issues where we cannot hear some of what she was saying, but good thing her body language could already convey them effectively.  Her singing though is definitely strong and beautiful.

This is most definitely must-watch theater!!!   It succeeds in so many levels: as religious satire, as political satire, as social satire.  Simply and seriously amazing.  After seeing this play,  I now regret that I have missed many of Floy Quintos plays recently, like "Fake" or "Isang Panaginip na Fili". I know I will have to watch his future works, definitely looking forward to the next one.

After this weekend, "Collection" will only run one more weekend next week.  The final shows will be on March 1 at 7pm and March 2-3 at 10am and 3pm at the Wilfrido Ma. Guerrero Theater, Palma Hall, University of the Philippines, Diliman.  Do not miss this very original, provocative and timely play. This closing production of Dulaang UP's 37th season will definitely make you think, as it also effectively entertains you.

Boeing Boeing (Repertory Philippines)

February 9, 2013

This straight comedy play is the first offering of Repertory Philippines 76th season.  I have not heard anything about this title before.  Furthermore, except for the veteran Ms. Baby Barredo, this play was incredible in that there were NO real star actors in any of the lead roles, which I found quite brave.  Honestly, it did not really cross my mind to watch this play, however I was tempted when the initial reviews all were very enthusiastic.  Therefore when I won a raffle for tickets on herworld.com (again), my wife and I grabbed the chance to check out what the fuss was all about.

"Boeing Boeing" is set in the pad of American architect Bernard, in the city of Paris.  Bernard had what he thought was the perfect arrangement when it comes to his women.  He was simultaneously juggling three beautiful fiances, all of whom are airline stewardesses.  Bernard depends on their respective route schedules to plan his days with them, and so far everything was going on like clockwork.  His old friend from the province, Robert, who came to visit Bernard, was at the same time shocked and fascinated with this arrangement. Well, that is until one day, a big storm forces all three stewardesses to be in Paris, and in Bernard's flat, all at the same time!  That was when the fun really starts.  How can Bernard extricate himself out this big mess?

The three-timing playboy Bernard was played by a Caucasian guy named David Bianco.  He does pretty well but I thought he lacked that certain dash and debonair spark that would make it believable that this guy could actually snag and handle three gorgeous girls at a time.  Well, maybe that was part of the plan, that he could do it yet remain looking innocent about it.  

Jennifer Blair-Bianco, David Bianco's real life wife, played the vivacious Gloria in fiery red, the American who works for TWA.  Giannina Ocampo plays the passionate Gabriella in royal blue, the Italian who works for Alitalia.  Carla Dunareanu plays the feisty Gretchen in bright yellow, the German girl who works for Lufthansa.  Where have these ladies been before?  They were really spot on as they were all beautiful, sexy, daring and funny as their roles demanded.  Ms. Dunareanu (said to be Christian Bautista's girlfriend) stands out with her character's neuroses and German accent and attitude, which she succeeded to make endearing despite the stereotype.  It was only when Gretchen appeared on stage when the play finally "woke up" for me.  

While Topper Fabregas felt like the odd man out in the cast when it comes to his moreno complexion, he was generally energetic and delightful in his performance as Bernard's provincial friend, Robert.  He projected that naivete his character required, not knowing what he was getting into that day he decided to pay his old friend Bernard a visit.  But in some scenes, his character can be confusing because Topper's acting can be inconsistent.

As the only veteran and most senior member in the cast, Ms. Baby Barredo was quite the effective female curmudgeon as the maid Bertha. This crude, grumpy, ever-complaining character gets to deliver many of the funny one-liner jokes, and of course Ms. Barredo delivers as only she could.   I would have liked to have seen her alternate, Ms. Joy Virata, play Bertha as well.  I can imagine a very different attack on the character.

Read more about BWW Reviews: BOEING-BOEING by Repertory Philippines by philippines.broadwayworld.com

"Boeing Boeing" was originally written in French by Marc Camoletti.  It was translated to English by Beverley Cross, and was first staged in London's West End in 1962, and in Broadway in 1965.  It had a successful Tony Award winning revival on Broadway in 2007.  To be honest, it really felt like the play was written and trapped in the 1960s, with a very dated concept and setting.  The stereotypes of the girls' nationalities are not exactly politically correct and potentially offensive as it was written (especially if you are American or German).  Fortunately though, the effective stage direction by Miguel Faustmann and the energetic performance of the cast, especially the vivacious ladies dressed in those attractive and sexy air hostess uniforms by Raven Ong, make the play somehow feel fresh, fun and light-hearted.  We were actually laughing out loud in many hilarious madcap scenes, and that really felt great, but you still feel something lacking somewhere.


Rep's production of "Boeing Boeing" runs at Onstage Theater, Greenbelt 1, Ayala Malls for one more weekend until Sunday, February 17.

Review of PETA's D' Wonder Twins of Boac

"D' Wonder Twins of Boac" is the last offering of PETA for its 45th theater season. Writer Rody Vera adapted Shakespeare's "Twelfth Night" and transported the story to the Philippine movie industry of the late 1960s when the film studio system was already on the decline.  I found that a very interesting concept, and furthermore, it will star one of my favorite stage actresses Cris Villonco in the lead.  This was most certainly a must-watch for me.

Viola (Cris Villonco) and Bastian (Chrome Cosio) are the titular twins from Boac, who were a talented song and dance duo.  On their way to try their luck in the movie industry in Manila, their ship capsizes and the two were separated when they were lost at sea.  We later see Viola in Manila as a sampaguita vendor. When she hears that Campanilla Pictures were holding an audition for an Elvis movie, she gets the idea to dress as a boy named Cesar to try her luck.  

The owner of Campanilla Pictures, Don Orsino (Lex Marcos), wants to propose marriage to the recently-widowed Donya Olivia (Shamaine Centenera-Buencamino) of rival BLV Pictures, in order to unite their two studios.  He sends Cesar to be his emissary to Olivia. However, fate has it that Olivia actually takes a fancy to fair Cesar, not knowing that "he" was actually a girl in disguise.  By this time, Viola/Cesar was already falling in love with Don Orsino!

On the other hand, unknown to Viola, Bastian had long been in training as a movie stuntman, so it was inevitable that the twins' paths will cross one day.  However, how will Bastian figure in this already complicated love triangle entangled in a web-like comedy of errors that his cross-dressing sister is now involved in?

This whole absurd situation is hilarious as you can imagine.  The comedy worked back in Shakespeare's time and it works up to now.  The director Maribel Legarda, fresh from her directorial successes in other PETA hit shows "William" and "Care Divas," injected a lot more Pinoy comic touches to tickle the young audiences whom this play targets.  The theater was full-packed to the rafters with high school and college students and they were really howling with laughter in many scenes.

I have never seen Cris Villonco in a role like Viola before.  She was quite "cute" as Cesar.  Of course, she did not really look like a real man, but she looked like she was having a lot of fun doing it.  Her songs were  in a more pop voice and style, rather than the trilling soprano we are more used to hearing her sing in her previous shows like "Walang Sugat" and "Noli Me Tangere." Those scenes of Doc Orsino and Direk Luciano (Roi Calilong) teaching Cesar how to seduce a woman was very laugh-out-loud funny, as with that scene where Donya Olivia turns the tables on Cesar seducing moves.

Chrome Cosio's role as Bastian was not as extensive as Viola's.  His memorable highlight were those scenes with his stunts trainer, the sneaky Antonio (Riki Benedicto), that really brought the house down with laughter!  Chrome was not shy in showing off his physique, to the delight of the high school girls in the audience.  However, since he was showing his body off several times from the first song number to the last, it did look a little too repetitive, thus losing its novelty factor.

This is my first time to see the acclaimed Shamaine Centenera live in action.  She was very fierce, funny and fearless as Dona Olivia.  She had a near wardrobe malfunction during the show I watched, but she survived it with aplomb.  Lex Marcos was debonair as Doc Orsino, but also very funny. I cannot imagine his alternate, the older Bodjie Pascua, to be better fit as Orsino than Lex.

A side plot involved Luciano, a low-brow director of masses-oriented "bakya" movies, and his nemesis Malvolio, who is a snobbish director of quality serious films.  The conflict between these two directors was also very interesting as it was funny.  The Malvolio character took time to warm up to the audience though, as played by Lao Rodriguez.  The supporting characters of Olivia's drunken Uncle Toma (Gie Onida), her foolish suitor Rudy Castelvi (Eric V. dela Cruz) and her secretary Maria (Kat Castillo) also had their funny moments.

The whole play worked out quite rollickingly fun. Well, that is, until the ending when they tried to inject something of a historical perspective as to what happens next in Philippine cinema.  In my opinion, it did not really end the show too well, as it felt like a totally different play.  There was that one moment when the audience fell silent also, so I think maybe they did not get it too.  This is only the first weekend though, and maybe they still tweak the execution of that scene a little in the coming shows.  In any case, after that momentary hiccup, the play recovered when the final song number came on and enlivened the stage again.

(photo credit:  PETA FB page)

When I entered the auditorium and took my seat, the first thing I noted was that the old stage was not there.  Instead there was a beautiful multi-tiered stage with a staircase going up to the balcony on one side.  There were now seats all around this stage.  This new stage made everything more exciting.

Congratulations to PETA, Ms. Maribel Legarda, Mr. Rody Vera and the cast and crew of "D' Wonder Twins of Boac" for this most innovative and originally envisioned Shakespearean play I have seen, after "King Lear" also by PETA just a couple of years ago.  May you continue to succeed in your mission to bring to the Filipino youth original interpretations of the Philippines' and the world's best literature!

"D' Wonder Twins of Boac" runs at the PETA Theater in Quezon City, weekends from February 1 to March 3, 2013, Fridays and Saturdays: 3pm and 8pm; Sundays: 10am and 3pm.

Tickets are available at www.ticketworld.com.ph For inquiries, contact 725-6244, 0916-5675400, or petatheater@gmail.com

Rivalry: Ateneo-La Salle The Musical: The 2nd Round (4th Wall Theater Company)

January 24, 2013

"RIVALRY" had been a much buzzed-about show last year during its first run.  However, for some reason I did not have the interest to see it despite the good reviews.  Maybe it was the main topic of the musical, which was about the fabled Ateneo-La Salle rivalry in the college basketball league.  I was afraid I could not relate to the story because I am neither from Ateneo nor La Salle.

The original Filipino musical, with music by Ed Gatchalian, lyrics by Joel Trinidad (both Ateneans) and directed by Jaime del Mundo (a La Sallite), went on to win year-end accolades including Best Music for a Filipino Musical for Mr. Ed Gatchalian from the Broadway World PH Awards.    It must be so successful, that there is now a re-staging of this show this month!  Therefore when the opportunity came up for me to watch it, I grabbed the chance this time.

There was no big mystery what the main story is about. The setting is Manila in 1968.  The Valencias are hard-core Ateneans.  The Basilios are hard-core La Sallites.  The moms are sisters, but their husbands are both bitter rivals on and off the basketball court.  Their sons continue this rivalry.  Paco Valencia (OJ Mariano) is the current star player of Ateneo, while Tommy Basilio (Mako Alonso, who is ironically an Atenean) is the star of the La Salle varsity.  Both teams were still members of the NCAA back then, with Mapua and San Beda.

Paco's brother Quito (Red Concepcion) has a crush on a certain Maryknoll girl Rina (Athena Tibi) and asks his cousin Tommy to help introduce him.  As fate would have it, Tommy finds himself falling for the charming Rina. How will this love triangle play out as the college basketball season reaches its heated finale?

The script reminds me of one-act Filipino plays in English that we used to see high school students stage back in the day.  I find the play very amusing when it comes to conversations -- the way they speak with all its "burgis" styling, English with distinct "Filipinisms."   While there were also a number of witty one-liners, but I guess I was expecting more school jokes. The staging and choreography reminded me a lot of "West Side Story" with the rival gangs dancing.  Well to be frank, the story concept is somehow reminiscent of that musical classic too because of its romance in the context of rivalry.

There were two song numbers that really stood out for me.  From Act One, it was the very cute "Boy from La Salle" coquettishly sung by the Maryknoll colegialas.  From Act Two, it was the dramatic "What If" sung by the three corners of the love triangle, Quito, Tommy and Rina.  The songs of Act Two were basically reprises or mash-ups of the songs from the first act.  The director said that this "Second Round" was already streamlined from the first run in terms of its content.  But I feel, some more streamlining could be done to make it a tighter show.  There were certain moments where the momentum would lag.

Mako Alonso, whom I have not seen before, was actually very good as Tommy.  He has a good voice, and he has his "crush ng bayan" character down pat.  He can also do the physically strenuous sit-ups and clap push-ups that Tommy had to do.  OJ Mariano is unfortunately limited by the dour way his serious character had been written.  I am sure there is a way to make his Paco more interesting in future stagings.  As for Red Concepcion, he has this look that does not exactly make him convincing as a romantic lead.  He is quite earnest though and he sings well, but he was not realistic as a boy in love with a girl.

The star of the show for me though was the very pretty Athena Tibi, whom I have also not seen on stage before.  She sings very well, and her stage presence was electric, making her rise above the other Maryknollers on stage with her (which includes known actresses like Cara Barredo and Caisa Borromeo).  I found it interesting when it was revealed that Ms. Tibi actually has an active career in Japan as a pop star, from which she took a break to join this show.  She could make it as well in the local scene, I think.

Overall, whatever they say, I still think you would have to be an Atenean or a La Sallite to get into the groove fully with this musical.  There was still some "inside joke" territory that alumni of other schools cannot completely get.  I personally could not help but burst into applause and cheer when my own alma mater was suddenly mentioned.  So Maroons, there is something for you in this show!  It was not a completely perfect show yet, especially the final resolution, which I found was not too clearly expressed.  I think it could still be improved further because I think this musical will live on as long as there are Ateneans and La Sallites.  But as it is now, it is already a fun, amusing and entertaining show!

_________

"Rivalry: The Second Round" runs from January 25 to February 17, 2013, weekends at the Meralco Theater.  Ticket Prices: P1,699.50/ P1,339/ P1,030/ P978.50/ P824/ P618. For ticket reservations, call TicketWorld at 891-9999.

Billboard Top Hot 100 Songs of 2012

January 13, 2013

1 Gotye feat. Kimbra Somebody That I Used To Know

           It debuted at number 91 on the Billboard Hot 100 on 14 January 2012. In its fifteenth week on the chart – after it was performed on Glee, American Idol and SNL  – the song rose to No. 1. The song had the fourth highest-selling single week ever with 542,000 digital downloads sold, and was the first Australian single to top the Hot 100 since Savage Garden's "I Knew I Loved You" in 2000. As of 6 June 2012, it has remained at No. 1 for eight consecutive weeks. 

2 Carly Rae Jepsen Call Me Maybe

          It debuted on the Billboard Hot 100 on the week of 10 March 2012, at number 38. The song reached number one on the week ending 23 June 2012 and spent nine consecutive weeks at number one on the Billboard Hot 100. She is the first Canadian female artist to have a number one on Billboard Hot 100 since Avril Lavigne's "Girlfriend" in 2007. The song is only the fourth song to log seven weeks at number one by an artist from Canada, tied with "Sh-Boom" by The Crew-Cuts, "Informer" by Snow featuring MC Shan, and "(Everything I Do) I Do It for You" by Bryan Adams. The song is Jepsen's first entry on the Billboard charts in the country, which made her the first lead woman since Kesha with her single "Tik Tok" to have her debut single peak at such position. 

3 fun. feat. Janelle Monae We Are Young

          "We Are Young" entered the Billboard Hot 100 in December 2011 at number 53 but quickly fell off. It wasn't until the song appeared in the Super Bowl spot that it took off, exploding at radio and at retail.  In the week following the Super Bowl, it rose 26 spots to number 63 on the Hot 100. On March 7, 2012, "We Are Young" ascended to the top position on the Billboard Hot 100. It remained at the number one position for six consecutive weeks.

4 Maroon 5 feat. Wiz Khalifa Payphone

          The song debuted at number 3 on the Billboard Hot 100. It failed to reach number one, peaking at number 2 on that chart for six non-consecutive weeks, being blocked from the top spot by Gotye's "Somebody That I Used to Know" and Carly Rae Jepsen's "Call Me Maybe". On its 18th week in the top ten, "Payphone" dropped to number seven on the Billboard Hot 100, making it the first time the song was not a part of the top five.

5 Ellie Goulding Lights

          On the issue dated 20 August 2011, "Lights" debuted at number 85 on the Billboard Hot 100. The song re-entered the Billboard Hot 100 at number 99 for the week of 14 January 2012.] When "Lights" reached number 40 in its 19th week, on the issue dated 12 May, the song represented the third slowest climb to the top 40 by a female artist, after Norah Jones's "Don't Know Why" and KT Tunstall's "Suddenly I See". In its 29th week, the song made Hot 100 history by achieving the longest climb to the chart's top five not aided by country-to-pop crossover success or multiple releases. In its 33rd chart week, the single reached number 2 on the chart dated 18 August 2012, and held that position for two weeks, behind "Call Me Maybe" by Carly Rae Jepsen and "Whistle" by Flo Rida, respectively.

6 The Wanted          Glad You Came

           In the United States, the song became their first to chart on the Billboard Hot 100, peaking at number three for four non-consecutive weeks after it was covered on the television series Glee, and becoming the highest American chart entry by a British boy band, surpassing Take That who peaked at number seven with "Back for Good" in November 1995.

7 Kelly Clarkson Stronger (What Doesn't Kill You)

          The song entered the Billboard Hot 100 at number 64 on the week ending October 30, 2011. Three weeks later, the song re-entered Billboard Hot 100 at number 99. Following its release as a single, the song once again returned to the Hot 100 at number 58 after Clarkson performed the song at Saturday Night Live on January 7, 2012. On its 4th week, the song climbed to number 21. The following week, the song ascended to number eight at the Billboard Hot 100 chart and became her tenth top-ten hit. With "Mr. Know It All" having peaked at number ten, the song's ascent marked the first time Clarkson has had back-to-back top-ten hits since 2004–2005, when she had four consecutive top-ten hits from her sophomore album, Breakaway. On its 6th week, it went from number 8 to number 2 and then went to number 1, becoming Clarkson's third number one hit, after "A Moment Like This" and "My Life Would Suck Without You". On the week ending March 3, 2012, the song descends to number four after spending two consecutive weeks at number 1. The same week, "Stronger" became Clarkson's first song to top Billboard Hot Dance Club Songs. This makes Clarkson as the first artist ever to have topped the Hot 100 and each of Billboard's Dance/Club Play Songs, Country Songs, Adult Contemporary and Adult Pop Songs charts. On its 9th week, the song returned to top Billboard Hot 100 for the third week and becomes the longest-reigning single by an American Idol contestant.

8 Rihanna feat. Calvin Harris We Found Love

          The song debuted on the Billboard Hot 100 chart on September 28, 2011, at number 16. "We Found Love" became the singer's second highest debut on the chart out of her 31 Hot 100 chart entries, with the highest being Rihanna's collaboration with Eminem, "Love the Way You Lie", which debuted at number 2 in July 2010. The following week, it rose to number 9, giving Rihanna the record for a solo artist to have amassed twenty top-ten singles in the history of the Billboard Hot 100 chart in the shortest amount of time. Rihanna achieved the feat in a time span of 6 years and 4 months, surpassing the record previously held by Madonna who managed the achievement in a time span of 5 years and 9 months. In its 6th week on the chart, the song reached number 1, giving Rihanna her eleventh number-one single thus making her only the seventh artist in the 53-year history of the chart to amass at least 11 number-one singles, behind The Beatles (20), Mariah Carey (18), Michael Jackson (13), Madonna (12), The Supremes (12) and tying with Whitney Houston. Additionally, Rihanna moved into 3rd place, tied with Houston, for the female artist with the most number-one singles, behind Carey and Madonna. "We Found Love" spent 8 consecutive weeks and 2 additional weeks (after 3 weeks at number two) at the top of the Billboard Hot 100, surpassing "Umbrella" as Rihanna's longest number-one single in the country, and was the longest-running number one of 2011.

9 Nicki Minaj Starships

          "Starships" debuted at number nine on the US Billboard Hot 100, marking her second solo arrival in the top ten after "Super Bass", which reached number 3. The song eventually peaked at number 5 and was certified triple platinum in the US on August 16, 2012.

10 One Direction What Makes You Beautiful

          "What Makes You Beautiful" became the highest Billboard Hot 100 debut for an UK act since 1998. On 22 February 2012, the single debuted on the Billboard Hot 100 at number 28. On the week ending 14 April 2012, it peaked at number 4. As of 30 June 2012, the single had spent thirteen consecutive weeks in the Billboard Hot 100 top ten.

11 Flo Rida feat. Sia Wild Ones
12 Adele Set Fire To The Rain
13 LMFAO Sexy And I Know It
14 fun. Some Nights
15 Katy Perry Wide Awake
16 Flo Rida Good Feeling
17 Flo Rida Whistle
18 Maroon 5 One More Night
19 Train Drive By
20 Drake feat. Lil Wayne The Motto

21 Rihanna Where Have You Been
22 Neon Trees Everybody Talks
23 Drake feat. Rihanna Take Care
24 David Guetta feat. Sia Titanium
25 Jason Mraz I Won't Give Up
26 Bruno Mars It Will Rain
27 Kanye West, Big Sean, Pusha T, 2 Chainz Mercy
28 Justin Bieber Boyfriend
29 LMFAO feat. Lauren Bennett & GoonRock Party Rock Anthem
30 Alex Clare Too Close

31 Katy Perry Part Of Me
32 Snoop Dogg and Wiz Khalifa feat. Bruno Mars Young, Wild & Free
33 Taylor Swift We Are Never Ever Getting Back Together
34 Justin Bieber feat. Big Sean As Long as You Love Me
35 David Guetta feat. Nicki Minaj Turn Me On
36 Maroon 5 feat. Christina Aguilera Moves Like Jagger
37 P!nk Blow Me (One Last Kiss)
38 Owl City and Carly Rae Jepsen Good Time
39 Demi Lovato Give Your Heart A Break
40 Jay Z and Kanye West Ni**As In Paris

41 Katy Perry The One That Got Away
42 Calvin Harris Feel So Close
43 Adele Someone Like You
44 Usher Scream
45 Tyga Rack City
46 Jessie J Domino
47 PSY Gangnam Style
48 Pitbull feat. Chris Brown International Love
49 Phillip Phillips Home
50 David Guetta feat. Usher Without You

51 Gym Class Heroes feat. Neon Hitch Ass Back Home
52 Hunter Hayes Wanted
53 Luke Bryan Drunk On You
54 2 Chainz feat. Drake No Lie
55 Cher Lloyd Want U Back
56 Chris Brown Don't Wake Me Up
57 Big Sean feat. Nicki Minaj Dance (A$$)
58 Eric Church Springsteen
59 Karmin Brokenhearted
60 Gavin DeGraw Not Over You

61 Gym Class Heroes feat. Adam Levine Stereo Hearts
62 Pitbull Back In Time
63 J. Cole Work Out
64 Adele Rumour Has It
65 Calvin Harris feat. Ne-Yo Let's Go
66 Carrie Underwood Good Girl
67 Little Big Town Pontoon
68 The Lumineers Ho Hey
69 Coldplay Paradise
70 Carrie Underwood Blown Away

71 Adele Rolling In The Deep
72 Usher Climax
73 Wiz Khalifa Work Hard, Play Hard
74 Ne-Yo Let Me Love You (Until You Learn To Love Yourself)
75 Nicki Minaj Pound The Alarm
76 Kenny Chesney Come Over
77 Trey Songz Heart Attack
78 Kirko Bangz Drank In My Cup
79 Rihanna feat. Chris Brown Birthday Cake
80 B.o.B So Good

81 Train 50 Ways To Say Goodbye
82 Toby Keith Red Solo Cup
83 Selena Gomez and The Scene Love You Like A Love Song
84 Chris Brown Turn Up The Music
85 Ke$ha Die Young
86 T-Pain feat. Wiz Khalifa and Lily Allen 5 O'Clock
87 Christina Perri A Thousand Years
88 Jason Aldean Take A Little Ride
89 Rihanna You Da One
90 Havana Brown feat. Pitbull We Run The Night

91 Imagine Dragons It's Time
92 Ca$h Out Cashin' Out
93 Luke Bryan I Don't Want This Night To End
94 Rihanna Diamonds
95 Lee Brice Hard To Love
96 Kip Moore Somethin' 'Bout A Truck
97 Miguel Adorn
98 Jason Aldean Fly Over States
99 Eli Young Band Even If It Breaks Your Heart
100 Linkin Park Burn It Down

UP Concert Chorus 50th Anniversary Gala Concert

December 21, 2012

Last September I got news that the UP Concert Chorus was going to have a 50th Anniversary Concert this year.  However I did not hear when this was going to be held.  In fact, I forgot all about this event, until by sheer serendipity, I saw a poster of this in the lobby of our building!  Given that I had the opportunity, I resolved to catch this special concert.

When I got to the University Theater, only Balcony tickets were for sale.  All the seats in the Center and Side Orchestra were sold out.  And why not, I believe those prime seats were only being sold for P300 and P200 each!  Anyway, the theater was not really that big, so we can recognize faces on the stage from our seats in the Balcony.

The show began about 15 minutes after 7pm when the multi-generational UCC with singers from Batch 60s to 2012 formed on the stag amidst great applause.  They began by singing "Battle Hymn of the Republic."  I am not really sure why, if there was any story behind this song choice, which I imagined was their Invocation.  A most rousing version of the Philippine National Anthem followed.  The show was emceed by Mr. Chinggoy Alonso, who was a member of UCC in the 1970s.

The next segments were special numbers from every batch (divided per decade) of UCC members. There were introductory videos which preceded each batch.  Unfortunately the font was too thin and too dim, orange with poor contrast from the black background.  Everything was not legible from where we were seated, which was too bad.

Batch 60s was represented by Ms. Becky Demetillo-Abraham who sang a folk song "Hurry Sundown" with a mellow voice that evoked the hippies who may have sung it back then.  She was accompanied by Leter Demetillo on guitar and back-up vocals.

The 60s and 70s batches joined forces in a trio of songs, the best of which was their version of "May Bukas Pa". They also broke formation to sing "Neneng" which was a funny medley of Filipino folksongs. I recognized Ms. Kitchie Molina and Ms. Joscephine Gomez in that batch of singers.

UPCC Batch 80s was in more colorful get-ups.  They sang a lively medley of songs with dancing, including "Pumapatak ang Ulan" and "Aquarius/Let the Sunshine In."  They then sang "Kalesa" which they mixed with an unexpected partner "Oppa Gangnam Style"!  Of course, the dance step fit right in with the "Kalesa" lyrics, ingenious.  They ended their set with "Kay Ganda ng Ating Musika".  No 80s song in their set.

UPCC Batch 90s started with a serious choral piece first.  Then they segued to singing Filipino pop classics "Tuwing Umuulan at Kapiling Ka" and "Mambobola."

This was followed by a rendition of the Broadway song "Love Changes Everything" by a couple of UCC couples (UCC members who also married a UCC member).  They are Raymond Roldan and wife Jeannelle,  whom I knew as the writers of "Song of Joseph," and Lionel Guico and his wife Cynthia, who were introduced as theater actors.

UPCC Batch 2000s rendered a couple of religious songs, one English and one Filipino.  Their final song was their version of Fantasia's "I Believe."  They has three awesome soloists whose voices simply soared in that seriously belted diva number.  The guy soloist matched his female co-singers in the lung-busting notes in the soulful end portion of the song.

A 10 minute intermission followed.

The Second Act opened with an In Memoriam slide show.  Unfortunately again, we cannot read anything on the screen.  The main and final tribute was for their beloved late Dr. Rey T. Paguio, who conducted the UCC from 1969 to 1999.  After this, Dr. Dot Gancayco, who headed the organizing committee of the 50th anniversary celebration, delivered her thank you speech.  Her enumeration of prominent UCC alumni was very impressive.

The stage was then given to the current batch of UCC, which they called the Golden Batch.  Their first song was entitled "Ama Namen" (not the church hymn we know) which featured a spectacular soprano whose name eluded me.  They sang three more songs, before they sang an amazing Michael Jackson tribute medley which featured a solo from their conductor Jai Sabas-Aracama.

After this, the other alumni of UCC all gathered again on the stage to render the final series of songs.  Very notable here are the beautiful Christmas songs they rendered.  The very sad "Pasko Na Sinta Ko" featured a solo by Jonathan Badon, and guitar by a UCC alumnus who is now an Ambassador, Mr. Vic Lecaros. The solemn "Payapang Daigdig" featured the original soloist who was none other than Ms. Kitchie Molina.  After a rousing version of "Simbang Gabi", they began to call all UP Alumni to go up the stage to join them to sing.  I had half the mind to go up, but I wanted to watch the rest of the show from my seat.



One of the original conductors of UCC in the 60s, Dr. Ramon Santos, was called in to conduct and lead the choir to sing Handel's "Hallelujah".  This classical Christmas hymn was sung with sheer perfection.  But they reserved their best for last as they sang a most touching version of "UP Naming Mahal" which totally captured my heart.  What a fitting finale for a fun and nostalgic evening!

Looking back, not joining a choir in college was one of the regrets in my youth.  But then at that time I was not really sure what I can do yet and I was too timid to pursue anything except my studies.  Watching their reunion show tonight showed their audience with pride how UCC not only molded musical talent among the members, but also improved their personalities and built lasting friendship.  Watching this show let me know what I missed because of my reluctance to try out the unknown back then.  Oh well, as the Apocalypse did not occur tonight (as was hyped ad nauseam in the past few days), my own chance to be a member of a serious choir may yet come by in the coming years.

Congratulations to the UCC for their 50 years past and 50 and more years to come!

Camp Rock the Musical (Repertory Philippines)

December 8, 2012

By some freak streak of luck, I once again won tickets to go see "Camp Rock the Musical" today from herworld.com (the same website from which I won the "Rama Hari" tickets just last week). This show produced by Repertory Philippines had been showing since November 16, 2012, under the direction of Mr. Audie Gemora.  Strangely though unlike other Rep productions in the past, I felt no compulsion to watch this show at all, and neither did my kids.  Maybe it is because we know the story already, or maybe it is because my own daughter played the character of Caitlin in their musical theater workshop production of "Camp Rock" just last summer.  But hey, a free ticket is a free ticket!

The generally young (supposedly "teenage") cast was basically unknown to me and the general public.  Of course, I recognize Markki Stroem, who is a familiar name and face from his joining "Pilipinas Got Talent" on TV.  He already had his stage debut on "Next to Normal" (Atlantis). I also recognize Cara Barredo, who had a charming turn as Beth in Rep's "Little Women" a few Decembers back, there playing a minor role as Caitlyn.  The rest of the young actors were yet untried, so I was a bit apprehensive that it would feel like a high school production, as early reviews seemed to suggest.

Anyway, arrived late again but only for maybe less than ten minutes, but seating was not difficult.  Since we had watched the two Original Disney Movies of the same title, getting into the story was not difficult.  The first number I caught was the reprise of the hit song from the first movie "This is Me" by Mitchie Torres, just as her beau Shane Gray and his brothers arrived in camp. After a few more scenes, it was clear that this musical play would be following the story of the second Camp Rock movie, which was subtitled "The Final Jam."  (This is not the same play as the summer production of my daughter, which was based on the first movie.)

As with Camp Rock 2, the story is about how a flashier rival summer talent camp called Camp Star threatens the very existence of Camp Rock.  Mitchie rallies her friends together to try and beat Camp Star in a televised Final Jam face-off.  However, in her obsession for performance perfection, her relationship with Shane gets strained.  Can these young romance problems be solved?  Which camp will win Final Jam?  Since this is a Disney script, I guess you can pretty much guess the answers to these questions.

The stand-out in the newbie cast is clearly the actress who played Mitchie, Morrissette Amon.  Amon simply dominated every song she sang because of her powerful vocals.  We are witnessing a debut performance of a future star.   Even in a big group numbers, her vocal chops rose above everyone else.  Her chemistry with Stroem though was not too good in the first act.  I don't the problem is with Amon though.  Maybe Stroem is too mature, too tall or too mestizo for her, I don't know, but there seemed to be no connection between the two.  Fortunately, it did get better in the second half though.

There was a side story where the youngest Gray brother Nate (Nacho Tambunting) is attracted to pretty Dana (Justine Pena).  However, she was unfortunately was from Camp Star, and he becomes dorkishly tongue-tied around her.  Their scenes were more charming than those of the leads as their chemistry was more palpable.  Their seemingly-Jason Mraz-"I'm Yours"-inspired duet song number entitled "Introducing Me" was quite endearingly performed.

The girl who portrayed the snooty Tess Tyler (Cheska Ortega) and the guy who played the star performer of Camp Star Luke Williams (Nelsito Gomez) also had good voices, stage presence and dance moves, as did the guy who played Barron James (Justin Valiente).  They can certainly stand out from the rest of the crowd on stage.

For me, the action and songs of Act I was rather dull and forgettable.  However, Act II really did a good job to pick up the pace of the story as well as the catchiness of the songs and energy of the choreography.  this is most evident in the climactic numbers of Final Jam which were "Tear it Down" (by Camp Star) and "What We Came Here For" (by Camp Rock), right up to "We Rock" at the end.  Overall though, "Camp Rock the Musical" was actually fun and entertaining.  The songs were so Disney-catchy and the humor was oh-so-wholesome.  It will lighten you mood and make you smile.  It will definitely make you feel young again.  I did.  I'm glad I got to watch it.

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"Camp Rock the Musical" runs up to December 19, 2012 at Onstage in Greenbelt 1.