September 28, 2024
Three siblings come together when their father passed away from esophageal cancer. Eldest son Jers (Jojit Lorenzo) was a philosophy professor who quoted Plato and Nietzche in his daily conversations. Second son Jack (JC Santos) was a visual artist whose dream was to interpret Rolando Tinio's poetry into paintings. Youngest was Jai (Martha Comia), a journalist who migrated to the US while advocating for indigenous peoples.
This new play written and directed by Guelan Luarca runs for 1 hour and 40 minutes without an intermission. However, during that single act, the story was not told in a linear manner, as the scenes jumped forwards and backwards in time. At one point, it went so far back into the "juicy" past that even the big bang entered the conversation. A guest narrator would indicate the passage of time, but sometimes it was just a whooshing sound effect that did so.
As if to embody the title, the set only consisted of three simple chairs, one for each of the three characters. They not only sat on their chairs, they carried them around, or also stood on them. Further elaborating on the theme of chairs, there was an interesting and enlightening discussion about Joseph Kosuth's 1965 installation called "One and Three Chairs." A popular Burt Bacharach song about a chair was sung in a karaoke segment.
The siblings contemplated on broad topics, like life and death, words and language -- parts where Luarca displayed the breadth of his knowledge on philosophy, religion and literature. However, the tearjerking moments were those parts when they reminisced about their parents and about each other. Luarca knew how to write beautiful lines which can hit raw nerves, be they in Filipino or English, giving each actor a highlight moment of raw emotion.
JC Santos's best moment as Jack was that scene when he was listening in on a bonding moment between Jai and her daughter Jackie. Jojit Lorenzo's best moment as Jers was when he shed tears as he talked about being ashamed that his children saw him shedding tears. Martha Comia's best moment as Jai was that scene when she read a text another death in the family. It was her Jai who became the central focus of the play, and Comia owned it.
The play was staged at the Arete in Ateneo, but not in the big theater spaces. It was held in a humble second floor dressing room of the Hyundai Hall, the entrance of which was a side door, probably for the use of the cast and crew. The room can only accommodate an audience of 30 people, 10 of whom were seated on the floor. Being so up close to the actors, we can see every little gesture, facial tic and rolling teardrop -- intimate theater at its best.
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"3 Upuan" ran only for 8 shows, September 22, 24, 26, 28 and 29, at 8 pm, with 4 pm matinees on Saturdays and Sundays. Regular tickets cost P700 each, subject to appropriate discounts as warranted.
