TA: Review of SINTANG DALISAY: A Teenage Tragedy with a Twist

February 15, 2025

In the Muslim community of Semporna, there was a bitter feud brewing between two rich families -- the Mustaphas and the Kalimuddins.  During a masquerade dance, Rashiddin (Karl Borromeo) of the Mustapha family fell in love at first sight with Jamila (Maliana Beran) of the Kalimuddin family. Their forbidden love affair led to a series of violence that unfortunately led to deaths from both families, which led to Rashiddin getting exiled to Dapitan. 

Surely that synopsis sounds familiar -- it is William Shakespeare's "Romeo and Juliet" transposed to a Mindanao setting by Ricardo Abad and first staged in July of 2011 at the Ateneo under Abad's direction. It was the final set designed by National Artist Salvador Bernal before he passed away in October, 2011. When Abad passed away last December 26, 2023, Abad's protege Guelan Varela-Luarca took over as director for a 2024 restaging in his honor. 

Stage Design of National Artist Salvador Bernal, revived by Tata Tuviera

The show opened with an overture played by a live band called Anima Tierra, playing their traditional, contemporary and experimental instruments right there on centerstage. They created a wall of sound with their percussions and vocalizations that set the propulsive and ethereal atmosphere of this play. Led by Jayson Gildore and Rhea Dagnalan, they take over the band of their mentor Edru Abraham and Kontra Gapi who played during the 2011 run. 

The first character to enter the stage was the Imam, who also served as the narrator of the story. James Reyes delivered his lengthy introductory monologue with his graceful movements and strong singing voice. Color was added when Reyes was joined by the other cast members dressed in their family colors -- orange for Mustaphas and green for Kalimuddins -- dancing the native igal (choreography by Matthew Santamaria) to the infectious beats of Anima Tierra. 

Anima Tierra plays the vibrant musical score

To be completely honest, I did not really understand every word being said onstage. Not only were they delivered in poetic old-fashioned Filipino, the sound system was insufficient to support the vocal projection of the actors. You can hear their voices going hoarse in their effort to make their lines understood. Those familiar with "Romeo and Juliet" can the drift of the story by context. Those unfamiliar with the original story may find it challenging to follow. 

Notable in this adaptation were the recurrent references to the afterlife. After Mercutio-equivalent Badawi (Roldine Ebrada) and Tybalt-equivalent Taupan (Jerome Dawis) were killed, they were shown to get up, wore a veil and salakot, and climbed up the stairs to the life beyond. At the end, they came back onstage to fetch the souls of Rashiddin and Jamila to lead them towards the hereafter, an aspect not in Shakespeare original. 

Maliana Beran and Karl Borromeo in the lead roles

The classic multi-level set design by Salvador Bernal had been beautifully recreated by Tata Tuviera. A most remarkable scene was that when Rashiddin bought poison from witches with giant anahaw leaves -- breathtaking.  The important role of Sabrina Basilio's dramaturgy for a cultural topic like this cannot be underestimated. Likewise important was Missy Maramara's role as intimacy coordinator, particularly in that honeymoon night pas de deux. 

Majority of the audience of the matinee I watched were excitable English-speaking elementary school boys. They vigorously cheered every kick and clash of knives during the fights (exciting fight choreography care of Brian Sy). They gasped loudly when Ginoong Kalimuddin (Fred Layno) slapped Jamila's face, and likewise during the climactic modified suicide scenes.  You can just imagine how loud their rowdy hooting reactions were during the love scene!

"Romeo and Juliet" -- with sensitive themes of teenage violence, marriage and suicide -- does not seem to be a play apt for young kids, but hey, it is a "classic." I do hope their teachers debrief them adequately about these adult topics, and orient them about theater etiquette as well. The old ladies seated beside me were clearly not amused with the juvenile antics. But for me, the noisy response around me actually added to the entertainment value of my viewing experience.

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This rerun of "Sintang Dalisay" runs only for 9 shows only this February 14-23 at Hyundai Hall, Areté, Ateneo de Manila University. Buy your tickets from Ticket2Me via this LINK. Tickets cost P1200 for Orchestra and P800 for Balcony. The show runs for 2 hours with no intermission. 

Idea First: Review of ANINO SA LIKOD NG BUWAN: Sensual Strategies

February 8, 2025

Nardo (Ross Pesigan) and his wife Emma (Elora Espano) were driven out of their village when it was attacked by the rebels. They became close friends with Joel (Martin del Rosario), a soldier who helped them settle in this new community. One night during an eclipse, Martin visited their shack to bring them some food, and also to play poker with them. However, when Nardo had to go fetch water at the well, Joel and Emma had other plans in mind. 

I first knew of this Jun Robles Lana work as a film that he both wrote and directed. The film was noted for its remarkable camera work as it followed the three main characters in one long continuous take in and around a small hut furnished only with a dining table and a bed, which notoriously included a 15-minute long sex scene. It starred Luis Alandy as Joel, Anthony Falcon as Nardo, and LJ Reyes, who won the Urian for Best Actress, as Emma. (MY REVIEW)

Del Rosario, Espano, Pesigan

at the curtain call

It turned out that this material was actually first written as a one-act play in 1993, when Lana was only 20 years old. It won first place in the Bulwagang Gantimpala playwrighting contest back then. When Idea First decided to venture into producing theater plays, it seemed natural that "Anino sa Likod ng Buwan" was their first choice. However, Lana decided to have someone else direct the project, a job which went to seasoned director Tuxqs Rutaquio. 

Emma and Nardo were played by veteran theater actors Elora Espano and Ross Pesigan, whose stage experience started in their student days in UP Diliman. Also very daring in her indie films, Espano captured the passionate fervor and mental alertness of Emma as she engaged in dangerous games. Pesigan imbued Nardo with an obfuscating air of blankness that may be interpreted as folly on one side, or cold-bloodedness on the other extreme.   

Movie and TV star Martin del Rosario is making his first foray on the legitimate stage with this play, and what an auspicious debut this was! Unlike other neophytes, del Rosario delivered Joel's kilometric lines with confidence and energy, giving them a 100% emotional wallop. He was very comfortable with his body even during sensual scenes in various stages of undress. He was never self-conscious, as if he had been doing this for years.  

Pesigan, Espano and Del Rosario at the Q and A
with writer Jun Lana on the left

Director Rutaquio's set design was very much like it was in the film. The space of the stage house also had a small dining table and a bed in there, with a door for them to go in and out. There were three columns at the back where shadowy trees were projected to represent the forest outside the house. The lighting design of John Batalla and the sound design of TJ Ramos complete the atmosphere of tension and dread. 

What I watched was a stripped-down preview staged at the Arete three weeks before the play formally opens at the PETA Theater Center on March 1. Even then, it ran for about two hours without an intermission, so surely certain aspects can still be tweaked to make it run better. There were scenes which felt repetitive which could use some streamlining, like maybe that second standing oral sex scene in the second act that could either be cut out or varied into something else. 

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Idea First Live's production of Jun Lana's "Anino sa Likod ng Buwan" runs from March 1 to 23, 2025 at the PETA Theater Center in Quezon City. Ticket prices range from P2464 (Orchestra VIP Cushioned), P2240 (Orchestra Center, Balcony Center), P2016 (Orchestra Side) and P1120 (Balcony Side).

Each role has an understudy: Edward Benosa for Joel, Vincent Pajara for Nardo and in her stage debut, VMX star Denise Esteban for Emma. 

Understudy cast: Benosa, Esteban and Pajara

For its next project, Idea First Livc! is planning to produce a stage version of its 2016 MMFF Audience Choice hit "Die Beautiful," which was written by Rody Vera and directed by Jun Robles Lana. 

Sandbox: Review of NEXT TO NORMAL: Psychoactive Prescriptions

February 2, 2025

The Goodmans seem to be a normal regular family on the surface. Father Dan was an architect. Mother Diana was a doting housewife and mother. Teen children Gab and Natalie doing well in school. However, Diana had been taking a variety of prescription psychoactive drugs to control the labile moods brought about by her bipolar disorder. Poor response lately had prompted her new doctor Madden to recommend electro-convulsive therapy (ECT). 

For its original Broadway production in 2008, this rock musical with book and lyrics by Brian Yorkey and music by Tom Kitt won three Tony Awards out of 11 nominations. It won for Best Original Score, Best Orchestration and Best Performance by a Lead Actress in a Musical for Alice Ripley. Remarkably, it also won a Pulitzer Prize for Drama in 2010 even if it was not among the shortlist of three plays submitted to the jury for consideration.  

All in all, this is already the fourth time that I have watched this musical.  My first time was in 2010 at the Booth Theater on Broadway, starring Marin Mazzie, Jeff Danieley and Kyle Dean Massey (MY REVIEW). Second was a 2011 local staging by Atlantis, starring Menchu Lauchengco-Yulo, Jett Pangan and Felix Rivera (MY REVIEW). Third was a 2020 production by Blue Rep in Ateneo, starring Cris Villonco, Jef Flores and Tim Pavino (MY REVIEW).  

Benedix Ramos and Jam Binay

This Sandbox production is directed by Toff de Venecia. The cast I saw last night included film and TV actress Nikki Valdez (in her first stage role since "The Wedding Singer" by 9 Works in 2010), Floyd Tena, Benedix Ramos (fresh from his successful stage debut in "Bar Boys" last year), Jam Binay, Davy Narciso and Jef Flores. The alternate cast features Sheila Valderrama-Martinez, OJ Mariano, Vino Mabalot, Sheena Belarmino, Omar Uddin and again Jef Flores. 

Aside from nailing the drama which is expected of her, Nikki Valdez also nailed Diana's tough songs. Her voice sounded borderline hoarse, and this was only opening night, so she needs to safeguard it with vocal hygiene. The baritone of Floyd Tena deeply expressed Dan's difficult dilemmas. Gabe's sky-high notes were no problem for Benedix Ramos. Not exactly a fan of Natalie's hair, but Jam Binay simply brimmed with teenage angst.

Nikki Valdez and Floyd Tena

This Sandbox production had an even simpler set than the Blue Rep production. The Goodman "house" in this one did not even have walls or doors at all, only four chairs, a few steps and a screened area on both sides -- that was the whole set. You are expected to fill in the rest in your heads, from the sandwich scene to the ECT scene. These are not easy to envision if you had not seen this play before, and they will feel too hollow if you had.

I know that the cast was acting and singing their hearts out, but the sound system was so garbled so the Pulitzer prize-winning lyrics were barely understood. The live band led by musical director Ejay Yatco was a big plus, but the music can occasionally drown out the lyrics even more. I was told the sound of this show was already a big improvement over the previous day's shows, so I trust adjustments are already being done to correct this issue.

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The Sandbox Collective's "Next to Normal" runs from February 1 to 23, 2025 at the wintry cold Power Mac Center Spotlight ⁠Blackbox Theater, Circuit Makati⁠. Ticket prices: VIP Php 3400, Premium Php 3000 and Regular Php 2,500.  Get your tickets via Ticket2Me at this link. 

Recap of COURAGE: Guts and Gratitude

January 26, 2025

In was only 7:30 pm, seats were still filling up at the Skydome, but the concert proper began. Right off the bat, the screen showed three reasons why Gerald Santos was courageous: 1. when he persevered after was dropped by his network in 2010; 2. when, as a theater neophyte, he triumphed through several auditions to bag the role of Thuy in the UK international tour; and 3. when he performed Thuy in Denmark in the Danish language.

Gerald Santos came out wearing a maroon and cream checkered coat and cream pants, singing his own twist on the big song of the moment, "Defying Gravity" (VIDEO), from the hit stage musical now box-office hit movie "Wicked." He then sat on a stool, delivered his opening spiel, and sang "Always Remember Us This Way," a song by Lady Gaga from her version of "A Star is Born" (Bradley Cooper, 2018). 

Gerald Santos sings Lady Gaga

He expressed his resolve to try other genres of music, and shifted gears to perform the viral ROSÉ and Bruno Mars hit "APT" with his Gen Z guests Elisha and new 12-member boy band, ASTER (VIDEO). When Gerald left the stage for a costume change, the youngsters took centerstage to sing and dance to Bini's catchy 2024 earworm "Pantropiko." 

Gerald came out wearing an eye-catching striped blue and bright yellow ensemble, and introduced his next set as tributes to two singers who passed away recently -- Liam Payne and Mercy Sunot. He proceeded to sing songs by Payne's boyband One Direction, namely "Little Things," "Story of My Life," and "Night Changes." This was followed by three iconic songs by Sunot's band Aegis, namely "Halik," "Basang-basa sa Ulan," and "Luha" (VIDEO).

Gerald's tribute to Liam Payne

Gerald then shared the story of how he won the role of Thuy in the UK-Ireland touring production of Claude-Michel Schönberg and Alain Boublil's 1989 stage musical "Miss Saigon" in 2017 and his memorable run as Thuy in the 2019 Danish production, for which he had to sing in the Danish language. To celebrate his exciting experience, he sang a song, not by his character Thuy, but one by the American GI character Chris, "Why, God, Why?"

After this segment, he went on to sing two more Filipino ballads: "Wag Ka Nang Umiyak" from the TV series "Ang Probinsyano," and "Kahit Isang Saglit," one of three songs he sang in the finals of the 2nd season of GMA Network's "Pinoy Pop Superstar" in 2006, where he emerged the grand champion at age 15, the youngest winner of that singing competition. 

Gerald with Sheryn Regis

Gerald then welcomed a series of guest singers with whom he sang duets.  With his Pinoy Pop Superstar 2006 runner-up and UK "Miss Saigon" cast mate, Aicelle Santos, he sang the current Bruno Mars - Lady Gaga US #1 hit, "Die with a Smile" (VIDEO). With 2003 "Star in a Million" runner-up Sheryn Regis, he sang the Lady Gaga - Bradley Cooper #1 hit duet, "Shallow" (VIDEO). Regis then regaled the audience with her comeback diva hit "Gusto Ko Nang Bumitaw." (VIDEO). 

Gerald returned onstage wearing a suit with a blue and green vertical stripes to introduce the grand champion of that same 2003 "Star in a Million" edition, Erik Santos. He said that it was their first time to sing together on stage. They sang a rousing duet version of Erik's winning song "This is the Moment" (from the 1990 Frank Wildhorn - Leslie Bricusse stage musical "Jekyll and Hyde" (VIDEO). Erik then took solo stage to sing "Sagot sa Aking Dasal."

Gerald with Erik Santos

When Gerald returned onstage, he was wearing a new brown and black outfit, topped by a long coat with short sleeves. He sang the inspirational song, "I Believe," then segued to the most serious part of the night's show, the launch of his advocacy, the "Courage Movement." 

After showing some clips of his Senate panel testimony in front of Senators Robin Padilla and Jinggoy Estrada, Gerald sang "You'll Never Walk Alone." Aicelle Santos came out to sing George Benson's "Greatest Love of All." Surprise guest singer Enzo Almario came out to sing Ben&Ben's "Leaves." The three of them then got together to sing Whitney Houston and Mariah Carey's duet from "The Prince of Egypt," "When You Believe." 

Gerald with fellow Courage advocates Sandro Muhlach and Enzo Almario

Gerald and Enzo remained on stage as they were joined by Sandro Muhlach. All three young men had experienced the same dark nightmare in their past, and have now bravely stepped forward to team up and lead the Courage Movement," an advocacy program dedicated to empower the victims of sexual harassment and abuse. This also aims "to raise awareness on these delicate and sensitive issues and how to deal with it objectively."

Getting back into the concert mood, Gerald talked about his latest single "Hubad" came about. He removed his long coat first before he went on to sing it live in a concert for the first time.  He put his long coat back on again before giving thanks to the Almighty for all the blessings he had received, singing a religious hymn that began with the words "I love you, Lord." 

Gerald then expressed his thanks for all his family, friends, sponsors, guests and musicians. Special mention went to his manager, Dr. Rommel Ramilo, who also wrote and directed this show. For his grand finale, Gerald chose to sing a Hugh Jackman song from "The Greatest Showman" soundtrack, "From Now On," about bravely forging on forward in life without distraction and procrastination. "From now on, what's waited for tomorrow starts tonight!" 

(From the Courage Movement FB page)

My Yearend Roundup: THE BEST OF PHILIPPINE THEATER 2024

December 20, 2024

In 2024, Philippine theater continued its upward surge after recovering from the pandemic paralysis, a process of restoration that started a couple years ago. For the year 2024, I had seen and written about 38 theater productions: 11 musicals, 15 full-length plays, and 13 one-act plays. 

Among the shows I was not able to watch this year included "Sintang Dalisay" at Arete, "Gruesome Playground Injuries" by CAST, and Lea Salonga's version of "Request Sa Radyo." There were a couple of touring productions at the Solaire this year -- "Ms. Saigon" in March, and "Six, the Musical" in October -- both of which I also was not able to watch. 

I will list here what I feel were the best among those theater shows I had seen and written about for 2024:

I. ORIGINAL FILIPINO MUSICALS

Best: "PINGKIAN" (Tanghalang Pilipino) (MY FULL REVIEW) 

Book: Juan Ekis

Music, Songs and Musical Direction: Ejay Yatco

Stage Direction: Jenny Jamora

In 1898, Emilio Jacinto (Vic Robinson) led his troop of revolutionary fighters on a mission in Majayjay, Laguna. They were ambushed by Spanish troops, and Emilio was severely injured in his right leg. He was captured and held prisoner by Spanish soldiers (led by Jonathan Tadioan). A sympathetic doctor (Marco Viana) was called in to treat his injuries. A young Katipunan scout Isyo (Joshua Cadelina) found him, but he was too weak to escape.

Other Notable Productions:

"One More Chance, the Musical" (PETA), directed by Maribel Legarda, book by Michelle Ngu-Nario adapted from screenplay by  written by Vanessa R. Valdez and Carmi Raymundo, songs by Ben&Ben, musical direction by Myke Salomon (MY FULL REVIEW)

"Bar Boys, the Musical" (Barefoot), directed by Mikko Angeles and Pat Valera, book by Pat Valera, music and songs by Myke Salomon (MY FULL REVIEW)

"Jepoy and the Magic Circle" (Repertory Philippines), directed by Joy Virata, book by Rody Vera from a short story by Gilda Cordero-Fernando, music and songs by Ejay Yatco (MY FULL REVIEW)

Notable Performances:

Vic Robinson, Gab Pangilinan, Marco Viana, Paw Castillo, Joshua Cadelina, Bituin Escalante, Kakki Teodoro ("Pingkian"); Sam Concepcion, CJ Navato, Nicole Omillo, Via Antonio, Neomi Gonzales, Paji Arceo, Sheena Belarmino ("One More Chance"); Sheila Francisco, Juliene Mendoza ("Bar Boys"); Hans Eckstein ("Jepoy and the Magic Circle"), Carla Guevara-Laforteza, Floyd Tena, Mayen Bustamante-Cadd ("Going Home to Christmas"); Tex Ordonez-de Leon, Pepe Herrera, Deevo ("Buruguduy")

Memorable Tech Aspects:

All technical aspects of "Pingkian." The musical direction of "One More Chance." The puppetry in "Jepoy and the Magic Circle." The over-the-top set, costume and lighting design, and puppetry of "Buruguduy."

II. NON-FILIPINO MUSICALS

Best: "LITTLE SHOP OF HORRORS" (Sandbox Collective) (MY FULL REVIEW)

Book: Howard Ashman

Music and Songs: Alan Menken

Stage Direction: Toff De Venecia

Musical Direction: Ejay Yatco

Mr. Mushnik (Audie Gemora) owned a flower shop in a decrepit part of the city called Skid Row. Working for him were a foundling orphan boy named Seymour (Nyoy Volante), and a pretty but not-so-smart young lady named Audrey (Karylle). Because business was very bad, Mushnik declared that he has decided to close down shop. Desperate to keep the shop open, Seymour revealed that he had a new discovery which may improve business.

Other Notable Productions:

"I Love You, You're Perfect, Now Change" (Repertory Philippines), directed by Menchu Lauchengco-Yulo, book and lyrics by Joe diPietro, music by Jimmy Roberts (MY FULL REVIEW)

"Rent" (9 Works Theatrical), directed by Robbie Guevara, book, lyrics and music by Jonathan Larsen (MY FULL REVIEW)

"Once on this Island" (9 Works Theatrical), directed by Robbie Guevara, book and lyrics by Lynn Ahrens and music by Stephen Flaherty (MY FULL REVIEW)

Notable Performances: Nyoy Volante, Reb Atadero, Karylle, Sue Ramirez, OJ Mariano ("Little Shop of Horrors); Gian Magdangal, Marvin Ong, Krystal Kane, Barbara Jance ("I Love You, You're Perfect");  Anthony Rosaldo, Molly Langley, Ian Pangilinan, Adrian Lindayag ("Rent"), Thea Astley, Lani Ligot ("Once on this Island"); AC Bonifacio, Angela Ken, Ron Balgos, Elian Dominguez ("The 25th Annual Putnam County Spelling Bee")

Memorable Tech Aspects

The set, lighting and costume design, and puppet work in "Little Shop of Horrors."  The stylish set design of "I Love You, You're Perfect." 

III. FILIPINO PLAYS

A. One-Act: 

Best: 3 UPUAN (Arete) (MY FULL REVIEW)

Writer: Guelan Luarca

Director: Guelan Luarca

Three siblings come together when their father passed away from esophageal cancer. Eldest son Jers (Jojit Lorenzo) was a philosophy professor who quoted Plato and Nietzche in his daily conversations. Second son Jack (JC Santos) was a visual artist whose dream was to interpret Rolando Tinio's poetry into paintings. Youngest was Jai (Martha Comia), a journalist who migrated to the US while advocating for indigenous peoples.

Other Notable Productions: 

"Ang Munting Liwanag sa Madilim na Sulok ng Isang Serbeserya as Maynila" by Dustin Celestino, directed by Toni Go-Yadao (VLF Set D) (MY FULL REVIEW)

"The Foxtrot" by Chesie Galvez Carino, directed by Paul Morales (VLF Set C) (MY FULL REVIEW)

"Sentenaryo" by Herlyn Alegre, directed by Ian Segarra (VLF Set B) (MY FULL REVIEW)

Notable Performances: 

Jojit Lorenzo, JC Santos, Martha Comia ("3 Upuan"); Joshymae, Dyas Adarlo, Bon Lentejas (Ang Munting Liwanag); JC Santos and Liesl Batucan ("The Foxtrot"); Ross Pesigan, Ge Malacaman ("Ningas"). Kitsi Pagaspas ("Identite"), Thea Marabut, Peewee O'Hara ("Nagkatuwaan sa Tahanang Ito")

Memorable Tech Aspects:

The direction, script and set design of "3 Upuan." The realistic make-up of Ekis Gimenez in "Sentenaryo." The eloquent script of Lino Balmes in "Ningas."

B. Full-Length: Original Filipino Material or Filipino Adaptation: 

Best: BALETE (Tanghalang Pilipino) (MY FULL REVIEW)

Writer: Devised by the Tanghalang Pilipino Actors Company, based on the book by F. Sionil Jose's novel "Tree," Jose's autobiography "Promdi," and Rody Vera's Filipino stage adaptation "Balete"

Director: Chris Millado

In the town plaza of Rosales, Pangasinan stood one old magnificent balete tree. The biggest rice farm there was owned by a corrupt politician Don Vicente. It was run by by a stern caretaker Espiridion, who was the father of the narrator / protagonist, Francisco or "Kiko." As a child,  Kiko got along well with their farm servants. However, he also witnessed how his father had been a very harsh employer, often resorting to violence. 

Other Notable Productions: 

"Grace" by Floy Quintos, directed by Dexter Martinez Santos (Encore Theater) (MY FULL REVIEW)

"Mga Multo" by Henrik Ibsen, translated by Ron Capinding and Guelan Luarca, directed by Ron Capinding (Tanghalang Ateneo) (MY FULL REVIEW)

"Medea" by Euripedes, translated by Rolando Tinio, directed by Ron Capinding (Tanghalang Ateneo) (MY FULL REVIEW)

Notable Performances: 

Nonie Buencamino, Marco Viana, Gelo Molina ("Balete"); Stella Canete-Mendoza, Sharmaine Centenera-Buencamino, Leo Rialp ("Grace"); Miren Alvarez-Fabregas, Yan Yuzon, Joseph dela Cruz, Sabrina Basilio, Mark Aranal ("Mga Multo"); Miren Alvarez-Fabregas, Yan Yuzon, Joseph dela Cruz ("Medea"), Katski Flores ("Sa Tahanan ng Aking Ama"); Dolly de Leon (Request sa Radyo"), Liza Dino-Seguerra, Ice Seguerra ("Choosing"); Khay Eva, Jigger Sementilla ("Nanay Bangis"); Jaime Wilson ("The Ancient Prodigal")

Memorable Tech Aspects:

Direction, writing, set and lighting design, movement choreography of "Balete." Direction and writing of "Grace." The direction and set design of "Request sa Radyo"). The set design of "Nanay Bangis."

IV. NON-FILIPINO PLAYS:

Best: OTHELLO (CAST) (MY FULL REVIEW)

Writer: William Shakespeare

Director: Nelsito Gomez

Venetian army ensign Iago (Reb Atadero) was furious that his Moorish superior officer Othello (Tarek El Tayech) had promoted an aristocrat Cassio (Davy Narciso) to the position he aspired for instead of him. Recruiting unwitting accomplices in his wife Emilia (Maronne Cruz) and his lovesick friend Roderigo (Rafael Jimenez), Iago executed a devious plot to plant a seed of doubt between newlyweds Othello and his virtuous bride Desdemona (Gab Pangilinan).

Other Notable Productions: 

"The Half-Life of Marie Curie" by Laura Gunderson (MusicArtes) (MY FULL REVIEW)

"Betrayal" by Harold Pinter (Repertory Philippines) (MY FULL REVIEW)

"Tiny Beautiful Things" by Nia Vardalos and Cheryl Strayed (Sandbox Collective) (MY FULL REVIEW)

Notable Performances: 

Tarek El Tayech, Reb Atadero, Gab Pangilinan, Maronne Cruz ("Othello"), Missy Maramara, Caisa Borromeo ("The Half-Life of Marie Curie"), James Bradwell, James Cooney ("Betrayal"), Iza Calzado, Gabby Padilla, Brian Sy ("Tiny Beautiful Things")

Memorable Tech Aspects:

Direction and movement choreography of "Othello." Direction, set, sound and lighting design of "Betrayal." Set design of "Tiny Beautiful Things."

Rep: Review of GOING HOME TO CHRISTMAS: Anxieties at the Airport

December 12, 2024

It was Christmas Eve and the passengers of Liberty Airlines flight to Cebu City were stressed out. JD (Neo Rivera) was very excited, but his father JR (Floyd Tena) was grumpy at the hassle. A Lolo (Gary Junsay) and Lola (Carla Martinez) from the US were bringing their grandchild Kevin (Basti Santos) on his first trip back. Arnie (Lorenz Martinez) and his wife Josie (Neomi Gonzales) were rushing because they needed to catch a cruise. 

Baristas Chris (Davy Narciso) and Jas (Rafael Jimenez) were planning to court the pretty stewardesses, Mona (Krystal Kane) and Alex (Maron Rozelle). Senior flight attendant Pat (Carla Guevara-Laforteza) was being stalked by a naughty pilot Richard (Noel Rayos). The quartet of Dina (Julia Serad), Terry (Roxy Aldiosa), Jaime (Johann Enriquez) and Mikko (Zid Yarcia) sang Christmas carols at the airport. Mang Jose (Alfritz) was the janitor that night.

"Going Home to Christmas" is an original Filipino jukebox musical featuring the songs of Jose Mari Chan, a veteran singer-songwriter who has become the local Mr. Christmas because of a Christmas carols he had composed, in particular "Christmas in Our Hearts." This play was self-aware that it told "Hallmark-type" love stories -- puppy love, reunited love, unrequited love, long-distance love -- written in Taglish by Robbie Guevara, Joel Trinidad and Luna Grino-Inocian.

Ejay Yatco chose which Jose Mari Chan hit to fit each short story -- "Beautiful Girl" for JD and Chris, "Constant Change" and "Easier Said Than Done" for JR, "Love at 30,000 Feet," "Can We Stop and Talk Awhile" and " Hahanapin Ko" for Pat and Richard, "Tell Me Your Name," "Can We Start Over Again" and "Please Be Careful with My Heart" for Arnie and Josie. Yatco's innovative arrangements made the heart of these classics beat with new meaning. 

Audiences identify and respond to characters of their respective generation. For me, the stories and actors of Pat and Richard, Arnie and Josie, JR and Em (Mayen Bustamante-Cadd) resonated best for me. With multiple stories to tell, this play ran for 2 hours and 15 minutes, which may feel too long or too syrupy for more cynical viewers. However, true fans of Jose Mari Chan music should enjoy this show's cute sentimentality and savor its holiday warmth. 

Gonzales, Martinez, Guevara-Laforteza, Rayos, Bustamante-Cadd, Tena, Kane

at the curtain call 

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"Going Home to Christmas" ran from November 29 to December 15, 2024 at the Carlos P. Romulo Auditorium, RCBC Plaza, Makati City. It looks like this may be an annual classic for years to come. 

 

Mad Child: Review of NAGKATUWAAN SA TAHANANG ITO: Faulty Functioning Family

December 13, 2024

Kendra (Thea Marabut) had a loving family around her. Her mother Alice (Peewee O'Hara) loved baking muffins, knitting scarves, and girls night outs. Her father Bob (Soliman Cruz) was an ever-supportive dad who dutifully took care of everyone's needs. Her elder brother Ben (Joshua Cabiladas) was married with kids and a medical doctor, but he would never miss a family game night. However, Kendra still felt there was something missing in her life.

Kendra is the central character of this play, but she seemed to be the most distant from the other members of her family. I knew Thea Marabut from her videos with the hilarious SPIT Manila improv comedy troupe, so her pensive moods here were a revelation of her range. The mother always tried to bring her family together, and Peewee O'Hara's Alice always tried her best to a fault, even if she had to suppress the crisp cuss words she wanted to say. 

The father character had the vaguest description, with very generic requirements, like "he takes care of all of us." As a result, Soliman Cruz actually had the least "moments" with Kendra. This detail may reflect how little we may know about our fathers, except as a provider. The brother character was supposed to be the fun guy, and Joshua Cabiladas certainly fit the bill. However, the "fun guy" may not always be having fun behind his smiling mask. 

"Nagkatuwaan sa Tahanang Ito" is the Filipino translation of Sam Walsh's play "This House Is for Laughing," written and directed by Guelan Luarca. The title may make audiences expect a riotous comedy, but it is not really that, which may be disorienting. Yes, there were funny bits here and there. However, the overall atmosphere of this play was one of depression and uneasiness, not exactly the picture of the perfect family that the happy title may suggest.

This play was about the idealistic expectations we have from the other members of our family. We do not have a choice about who our family members are, or how they are as immediate relations. If society allowed us to program exactly what how we want our parents and siblings to be, will this finally bring us the elusive happiness we cannot find from our real families? This material is potentially triggering to those who may not be happy with their family.

 

Cruz, Cabiladas, O'Hara and Marabut 

at their curtain call

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Mad Child Productions' "Nagkatuwaan sa Tahanang Ito" runs at the Black Box Theater, Old Communication Building, Ateneo de Manila University. This is a limited run of only 8 shows: December 12, 13,and 15 at 5:00 PM and December 9, 11, 12, 13 and 15 at 8:00 PM. Tickets at P1000 each. 

Additional show for December 15 at 1:00 PM just announced!