Sunday, October 11, 2020

Recap of MAP OF THE SOUL ON:E: BTS ONLINE CONCERT DAY 2

October 12, 2020



BTS is currently the most popular South Korean boy band in the US, and probably the whole world. Their debut single album "2 Cool 4 Skool" was released in 2013 in Korea, and from that year onward, they had been steadily building up their loyal fan base called the ARMY with members from all over the world. 

I first heard of them only when they hit it big on the US charts in 2018 with two #1 albums on the Billboard 200: their third studio album "Love Yourself: Tear" and their compilation album "Love Yourself: Answer." That same year, their singles "Fake Love" and "Idol" reached #10 and #11 respectively on the Billboard Hot 100.

BTS is composed of 7 members, but I did not really know each one by name before. I had watched their recent Tiny Desk concert on YouTube last September 2020, and noted that each one carried a microphone of a different color which also corresponded to the colors of their earpieces, so that was how I identified them. They are RM (blue), Jin (pink), Suga (black), J-Hope (red), Jimin (gold), V (green), and Jungkook (purple). 

I had no idea that BTS was having an online concert until an FB friend who watched the first day last Saturday October 10 encouraged me to go check out the second day of the concert Sunday afternoon. She sent me instructions on how to book a ticket (good for two devices) to the concert from the Weverse app, which I tried but could not figure out. Fortunately, my daughter, who was a big Kpop fan, was able to score a ticket for us at the last minute. 

The whole concert began with a video of the boys all donning their red hoods in a desert with a crag of rock jutting out from the sand. This would transition onto a live stage where they opened the show with a performance of their 2020 song "On" (a #4 song on the Hot 100) with a platoon of masked backup dancers. Then, they performed two of their earliest hits from 2013, "N.O" and "We Are Bulletproof Pt.2." 

There was a video interlude with closeups of the boys, while the stage was set up for the first solo number called "Intro : Persona" featuring RM (or Kim Namjoon) who was the recognized leader and spokesman of BTS. He delivered his strong rap number from behind a lectern, as if delivering a political campaign speech. That hanging mic he used that burst into flame when he threw it into the air was a cool gimmick.

The other guys later joined him to sing "Boy In Luv" (2014, not to be confused with the 2019 hit "Boy WITH Luv") with a building in flames behind them. After the song, all the members individually addressed their fans in Korean language. At first, there were no English subtitles, so I could not understand what they were saying. Fortunately, the later speeches would eventually have these much-needed subtitles. After their introductory messages, they performed "Dionysus" (2019), with the building ruins behind them lit in green.

After another video of the boys posing and modeling, it was Suga's turn to show off his rap skills in his solo spot "Interlude : Shadow." Suga had a quick costume change from white to black ensemble as his hooded dancers surrounded him. Then the other guys got back together with him in a smooth transition to perform another 2020 single "Black Swan" with an underwater kelp forest-like backdrop, which concluded in a balletic solo dance by Jimin.

With a major set change, the three rappers Suga, RM and J-Hope came out donning satin boxing robes to perform the highly energetic hiphop number "UGH!" After this, the other four guys, Jin, Jimin, V and Jungkook, rendered a dramatic "00:00 (Zero O’Clock)" number, wearing white outfits, with a giant digital clock display and winter scenery behind them.  

There was another video montage of the boys, which concluded with Jungkook in a room full of clocks. This segued into his solo number "My Time" which had him dressed in fiery red dancing under a spotlight, first alone, then with four dancers in black. The next was Jimin's solo number "Filter" in a white room with TV monitors and mannequins where he danced ala Michael Jackson. Jin had his turn next with the song "Moon" where he began singing on a replica of the moon with huge red flower growing on it. The next number of this set was "Inner Child" by V, in an elaborate set with a giant suspended carousel, with a little boy riding on one of the horses with him.

There was another video montage of images of the boys, after which J-Hope performed the final solo number "Outro : EGO" with a red classic convertible and four ATVs on stage. This was followed by the first song I was actually familiar with in this whole show -- their #8 US hit "Boy With Luv" which they sang carrying transparent umbrellas. After this song, the guys were already expressing their initial thanks and goodbyes, but like it was in a regular concert, of course there would be more to come. 

The next three high energy numbers -- "DNA" (2017), "Dope" (2015) and their very first single "No More Dream" (2013) -- were performed with elaborated computer-generated sets like a floating stage, a moving elevator or bursts of fireworks to make things more visually interesting. Then, the boys stood in front of massive video walls which showed a multitude of ARMY (mostly female) cheering them on their webcams while watching the concert live. With that background, they performed "Spring Day" (2017), "Idol" (2018) and their recent Hot 100 #1 hit song "Dynamite" (2020).   

Each one of the boys addressed their fans again individually to thank them for their support and express their hopes to be able to perform live once again with them. The live audience was really the missing factor in this concert, as their fangirl energy could not really transmit very well through their Zoom screens, even if they were frantically waving their light sticks and balloons. Their loud screams and fan chants are very much part of this and any Kpop concert and they were much missed in this online concert experience. 

The boys sang their 23rd and final number "We Are Bulletproof : the Eternal" before walking back to the initial stage with desert. They bid their final farewells standing on the same massive rocky crag set piece where the whole concert began 2 hours and a half ago. 

This is the first time I had seen BTS in a full-length concert, and I have to say, these guys really give their singing and dancing their all in terms of energy and dedication. It was clear why their fans love them well beyond their androgynous looks alone.



Thursday, October 8, 2020

Recap and Winners List GAWAD BUHAY AWARDS for 2019: "LAM-ANG," "EVERY BRILLIANT THING" and "PASSION" Lead Awardees

October 8, 2020


Because of the pandemic this year, the presentation of the Gawad Buhay awards this year were pushed back six months, from its usual date in April to today. The awarding ceremony was a combination of pre-recorded segments with Phi Palmos and Meann Espinosa with smooth transitions to live speeches from the excited winners.

The emcees opened the show wearing colorful bunny suits, keeping in tune with the times, but they would later change to regular clothes for the rest of the show. Philstage President Audie Gemora delivered the opening remarks. 

The first set of awards were for the technical categories:

Outstanding Original Score

Fitz Bitana, Jen Darlene Torres and Eljay Castro Deldoc, “Lam-ang” (Tanghalang Pilipino)

Vince Lim, Jeff Hernandez and Michelle Ngu, “Charot!” (Philippine Educational Theater Association)

Eljay Castro-Deldoc

Outstanding Choreography

JM Cabling, “Lam-ang” (Tanghalang Pilipino)

PJ Rebullida, “The Quest for the Adarna” (Repertory Philippines)


Outstanding Sound Design

Arvy Dimaculangan, “Every Brilliant Thing” (The Sandbox Collective)

Jethro Joaquin, “The Dresser” (Repertory Philippines)

Glendfford Malimban, “Dani Girl” (The Sandbox Collective)

TJ Ramos, “Coriolano” (Tanghalang Pilipino)

TJ Ramos, “Lam-ang” (Tanghalang Pilipino)


Outstanding Musical Direction (tie)

Daniel Bartolome, “Passion” (Philippine Opera Company)

TJ Ramos, “Lam-ang” (Tanghalang Pilipino)

Ejay Yatco, “Dani Girl” (The Sandbox Collective)

TJ Ramos

Outstanding Lighting Design

John Batalla, “Every Brilliant Thing” (The Sandbox Collective)

Dennis Marasigan, “Coriolano” (Tanghalang Pilipino)

Meliton Roxas Jr., “Lam-ang” (Tanghalang Pilipino)

Barbie Tan-Tiongco, “The Dresser” (Repertory Philippines)

Shakira Villa-Symes, “Passion” (Philippine Opera Company)


Outstanding Costume Design

Bonsai Cielo, “Coriolano” (Tanghalang Pilipino)

Bonsai Cielo, “Lam-ang” (Tanghalang Pilipino)

Daniel Gregorio, “Katsuri” (Tanghalang Pilipino)

Tata Tuviera, “The Dresser” (Repertory Philippines)


Outstanding Set Design

Ed Lacson Jr., “The Dresser” (Repertory Philippines)

Joey Mendoza, “The Quest for the Adarna” (Repertory Philippines)

Faust Peneyra, “Dani Girl” (The Sandbox Collective)

Kayla Teodoro, “Dancing Lessons” (Twin Bill Theater)

Marco Viaña, “Lam-ang” (Tanghalang Pilipino)


Julie Borromeo


The first Natatanging Gawad award of the night was given to Ms. Julie Borromeo for the field of Dance. She received tributes from all her children and students, as well as performance of one of the contemporary ballets she choreographed to the tune of "Maging Hanggang sa Dulo ng Walang Hanggan".  


The next set of awards were for the writers:

Outstanding Translation or Adaptation

Guelan Luarca, “Coriolano” (Tanghalang Pilipino)


Luna Grino-Inocian

Outstanding Original Book of a Musical

Luna Griño-Inocian, “The Quest for the Adarna” (Repertory Philippines)


Outstanding Production for Children

“The Quest for the Adarna” (Repertory Philippines)


The second Natatanging Gawad award of the night was given to Freddie Santos for Theatre. His tribute began Gary Valenciano performing the song "Would You Be Messiah" which he wrote for Santos's musical "First Name." This was followed a lengthy narration about Santos' long career in performing and directing theater as well as concerts.

Freddie Santos


The next set of awards were for performances.

Male Featured Performance in a Play

Jaime del Mundo, “The Dresser” (Repertory Philippines)

Fernando Josef, “Katsuri” (Tanghalang Pilipino)

Brian Sy, “Coriolano” (Tanghalang Pilipino)

Jonathan Tadioan, “Coriolano” (Tanghalang Pilipino)


Female Featured Performance in a Play

Antonette Go, “Katsuri” (Tanghalang Pilipino)

Sherry Lara, “Coriolano” (Tanghalang Pilipino)

Tami Monsod, “The Dresser” (Repertory Philippines)

Lhorvie Nuevo, “Katsuri” (Tanghalang Pilipino)


Kakki Teodoro

Female Lead Performance in a Play

Teresa Herrera, “Every Brilliant Thing” (The Sandbox Collective)

Jill Peña, “Dancing Lessons” (Twin Bill Theater)

Kakki Teodoro, “Every Brilliant Thing” (The Sandbox Collective)


Male Lead Performance in a Play

Audie Gemora, “The Dresser” (Repertory Philippines)

Teroy Guzman, “The Dresser” (Repertory Philippines)

Jonathan Tadioan, “Katsuri” (Tanghalang Pilipino)

Marco Viaña, “Coriolano” (Tanghalang Pilipino)

Marco Viaña, “Katsuri” (Tanghalang Pilipino)


Marco Viana

Male Featured Performance in a Musical

Paw Castillo, “Lam-ang” (Tanghalang Pilipino)

Daniel Drilon, “Dani Girl” (The Sandbox Collective)

Lorenz Martinez, “Dani Girl” (The Sandbox Collective)

Juliene Mendoza, “Dani Girl” (The Sandbox Collective)

Raul Montesa, “Passion” (Philippine Opera Company)


Female Featured Performance in a Musical

Jasmine Fitzgerald, “Passion” (Philippine Opera Company)

Anna Luna, “Lam-ang” (Tanghalang Pilipino)

Justine Narciso, “The Quest for the Adarna” (Repertory Philippines)

Tex Ordoñez-de Leon, “Lam-ang” (Tanghalang Pilipino)

Shiela Valderrama-Martinez, “Dani Girl” (The Sandbox Collective)


Vien King

Male Lead Performance in a Musical

Vien King, “Passion” (Philippine Opera Company)

JC Santos, “Lam-ang” (Tanghalang Pilipino)


Female Lead Performance in a Musical

Rebecca Coates, “Dani Girl” (The Sandbox Collective)

Felicity Kyle Napuli, “Dani Girl” (The Sandbox Collective)

Shiela Valderrama-Martinez, “Passion” (Philippine Opera Company)


Shiela Valderrama-Martinez

Outstanding Ensemble Performance for a Play

“Katsuri” (Tanghalang Pilipino)


Outstanding Ensemble Performance for a Musical

“Dani Girl” (The Sandbox Collective)

“Lam-ang” (Tanghalang Pilipino)

“Passion” (Philippine Opera Company)


The next segment was an In Memoriam slideshow accompanied by the song "Matatapos Din" (from "Mula sa Buwan") sung by Gab Pangilinan. The notable theater personalities included in the list were Heherson Alvarez, Carlos Celdran, Gilda Cordero-Fernando, Peque Gallaga, Tony Mabesa, Manny Pambid and Menggie Cobarrubias.


The final set of awards were as follows:

Outstanding Stage Direction for a Play

Jenny Jamora, “Every Brilliant Thing” (The Sandbox Collective)

Francis Matheu, “Dancing Lessons” (Twin Bill Theater)

Carlitos Siguion-Reyna, “Katsuri” (Tanghalang Pilipino)


Jenny Jamora


Outstanding Stage Direction for a Musical

Toff de Venecia, “Dani Girl” (The Sandbox Collective)

Robbie Guevara, “Passion” (Philippine Opera Company)


Outstanding Production of Existing Material for a Play

“Dancing Lessons” (Twin Bill Theater)

“Every Brilliant Thing” (The Sandbox Collective)


Karla Gutierrez 

Outstanding Production of Existing Material for a Musical

“Dani Girl” (The Sandbox Collective)

“Passion” (Philippine Opera Company)


The final remarks were given by Philstage Vice President Congressman Toff de Venecia. There was an emotional final song "Darating Din ang Araw" rendered by a group of theater singers led by Sweet Plantado and Poppert Bernadas. This first-of-its-kind online awards show was very well-executed by Black Box in cooperation with PETA and Philstage.