Saturday, October 28, 2023

Review of PSF's HERO-Z: Patriotic Parallels

October 28, 2023


100 years into the future, a country called Town-Z is ruled by corrupt dictator Boss Tsip (JP Lopez) and his wife (OJ Arci). Town-Z was hit by a dangerous virus that turned infected people into zombies. The residents of Town-Z were demanding relief goods as Boss Tsip ordered a lockdown, allegedly to curtail the spread of the virus. In reality, this virus had been invented by scientists under instructions from Boss Tsip with the aim of eradicating the poor.

Four friends who lived in Town-Z -- Andy (Vince Tanada), Jayriz (Johnrey Rivas), Kudz (Gerald Magallanes) and Pol (Fidel Redado) -- decided to lead their neighbors in their demand for food and supplies, as well as equality and justice. When labor leader Ding Silang (Chris Lim) was captured and executed even before he did anything, his wife Ella (Adelle Ibarrientos) boldly took over his cause, with the help of elderly mentor Tata Selo (Chin Ortega).

Clockwise: Vince Tanada (Andy), Gerald Magallanes (Kudz), 
Johnrey Rivas (Jayriz) and Fidel Redado (Pol)

Tanada gave his four central characters a love interest. Randy Andy had flirty rag seller Aya (Vean Olmedo), with whom he can trade naughty jokes. Jayriz had his one true love Lei Nora (Renee Escurel), whom her mother wanted to marry off with someone else. Kudz had Asti (Yvonne Ensomo), the feisty daughter of the local imam. As for Pol, Tanada snuck in a BL reference, letting him fall for his guard Emil (Awin Valencia).

The main antagonists were a husband-and-wife tag-team of political corruption and excess, the historical reference of their identities was not exactly well-hidden. There were even little dips into current events, which audiences easily caught.  Lopez and Arci played the notorious Tsips with sinister glee. Their main henchman was an intimidating goon sporting a multi-spiked mohawk named Kuhol, energetically played by Rotsen Etolle. 

JP Lopez and OJ Arci (Boss and Madame Tsip)

The material of Tanada's musicals over the years had often been culled from the pages of Philippine history. The stories of Jose Rizal and Andres Bonifacio had been tackled several times before in his previous shows, and again this one. Jayriz's storyline was quite faithful to Rizal's history -- his further studies in Europe, accusations for his alleged treachery, his advocacy for education as the best solution and his execution by firing squad.

However, for the other heroes, the parallels can be confusing. While true to Andres Bonifacio's advocacy for revolution, Andy repeatedly called himself dimwitted and implied that he was illiterate -- which the real Bonifacio was not.  Kudz was there to represent for the Moslem sector, but not much was told about the real Sultan Kudarat, who was 200 years older than the other three. The absence of a quotable quote from him was even a punchline.  

Renee Escurel (Lei), Vean Olmedo (Aya) 
and Yvonne Ensomo (Asti)

Lest they misunderstand, younger viewers should be guided by their elders that the story of Pol here should not be taken as a historically-accurate retelling of Apolinario Mabini's life and heroism. Pol was portrayed here not only as a gay man, but also as HIV-positive, which later led to him being wheelchair-bound. Also, Mabini never wrote for La Solidaridad, but Pol wore its name on his shirt and held up a copy of the paper at the finale.

Other heroes of the Philippine Revolution against Spain were also included in the story, like Diego and Gabriela Silang (in the characters of Ding and Ella Silang), and Melchora Aquino (gender-swapped in the character of Tata Selo). The martyrdom of Gomez, Burgos and Zamora were mirrored in a scene about the senseless execution of three priests, Fathers Gumabao (Lloyd Relatado), Borromeo (Renz Saavedra) and Zaragoza (Jason Chan). 

The whole cast at the curtain call

Anyhow, Hero-Z still possessed the same energy and humor that made Tanada's musicals a hit with the high school and college crowd it targets. The acting, particularly Tanada and Rivas, was as over-the-top as ever, as young people liked it. Their costumes were all crazy colorful, outrageous and attention-getting. The zombies looked ghoulish and grotesque, but Jayriz's cool antidote-machine in action was something you've got to see to believe. Pipo Cifra's rousing songs pushed the belting powers of the singers to their limits, and they nail them.

Like many PSF musicals in the past, the grand finale of this entertaining 2-hour show (no intermission) was again a fervent flag-waving call for revolution. This ending was historically-appropriate for shows like "Bonifacio: Isang Sarswela" (2014), "Katips" (2016) or "Supremo Redux" (2018). For this play with a futuristic setting, it reminds Generation Z that, as there will always be politicians who will try to oppress them, they need to strive to educate themselves, and be ready to fight back if ever the direness of the situation calls for it. 






Sunday, October 15, 2023

Rep: Review of SNOW WHITE AND THE PRINCE: Virtue Vs. Vanity

October 15, 2023



The story of Snow White was written by the Brothers Grimm, and published in their collection of German fairy tales in the year 1812. However when Walt Disney released his full-length animated classic "Snow White and the Seven Dwarves" in 1939, this maiden whose "skin as white as snow, lips as red as blood and hair as black as ebony" became a beloved character for children all over the world. 

The truthful magic mirror revealed that to the vain Queen that her step-daughter Snow White is the fairest woman in the kingdom. To escape the Queen's plot to kill her, Snow White ran off into the woods where she sought shelter in the house of seven dwarves. The Queen disguised as an old peasant and put Snow White into an enchanted sleep with a magic apple. A Prince woke her up with true love's first kiss.

This stage musical version of the Snow White fairy tale is current production of the Repertory Theater for Young Audiences (RTYA), now on its 31st year as the children's theater arm of Repertory Philippines. It is also the only production Rep mounted this year. The delightful book, music & lyrics were by Janet Yates Vogt and Mark Friedman, the same team behind another hit children's play RTYA staged in 2018, "Rapunzel! Rapunzel!" (MY REVIEW).  

With their rhyming lines and lyrics keyed for younger audiences, Vogt and Friedman made some major tweaks to the familiar story of the Disney classic. Perhaps to address the controversial issue of the Prince randomly planting a kiss of an unconscious Snow White without her consent, it was shown here that they've met in a ball and were actually falling in love at first sight with each other even before that kiss. After Snow White was revived, there was an additional scene where the heroes and the evil Queen have a showdown. 

Several aspects of that 2018 production were also found in this new show. The director is still RTYA's founder Ms. Joy Virata. The very colorful and fanciful costumes were also designed by Raven Ong. The dramatic lighting design was still by John Batalla. New members of the artistic team were: Stephen Vinas for the choreography (which went from ballet to tap), and London-based Kayla Teodoro for the set design (from the pastel-colored forest to the cute dollhouse-like dwarves' cottage). 

In the "Rapunzel" show I watched, the antagonist Lady Zaza was played with glee by Carla Guevara-Laforteza. This time around I again catch Laforteza playing the evil Queen. She had a short bob hairstyle and severe make-up so I did not recognize her at first. However, she certainly knew how to work this villainous role for the kids in the audience. She could be dark and scary, yet balanced with a tongue-in-cheek delivery of her lines and wicked laughter. (Pinky Marquez and Julia Serad alternate as Queen.)

Jillian Ita-as still looked like a pre-teen when I first saw and heard her sing a "Frozen" song on the CCP stage in "Disney in Concert: Tale as Old as Time" in 2014 (MY REVIEW). Now almost ten years later, she is playing the title role in a Rep production. Her diminutive height may make her look much, much younger than her actual age, but her cherubic face, natural charisma and crystal-clear singing made her a good fit as pure-hearted Snow White. (Kiara Dario, Ashlee Factor a.k.a. Pappel, and Fil-Am talent Anyah alternate as Snow White.) 

Neo Rivera first caught attention of theater critics when he took on the challenging title role in the 2022 restaging of Trumpets' "Joseph the Dreamer". Now, he is taking on the role of the Prince Alexander Emmanuel Heinrich Nicholas Philippe Augustus, and he brings to the role a lovesick charm, which seemed to delight the little girls in the audience, especially when he went up and down the aisle stairs in certain parts of the play. (Rapah Manalo and MC dela Cruz alternate as the Prince.)

Sebastian Katigbak played the key role of the Magic Mirror a tad too much swish, but his solo number "I Got the Queen" with tap dancing was a showstopper.  (Franco Ramos and Chino Veguillas alternate as the Mirror.) Chesko Rodriguez also played the Prince's butler Rupert a tad too prissily, so his "shipping" with Snow's more mature nursemaid (Cara Barredo) was rather unconvincing. (Diego Aranda and Dingdong Rosales alternate as Rupert. Abi Sulit and Ring Antonio alternate as the Nursemaid.)  

Vogt and Friedman departed from Disney's depiction of dwarves as little people, instead going for the current norm of inclusivity, specifying that they should be of all "sizes, shapes, ages and sexes."  And diverse they were in the show I watched -- stage veteran Nelson Caruncho, Ralph Oliva, Barbara Jance, 16 year-old StarMagic artist Omar Uddin, ensemble member Liway Perez, dwarf swing Czar Decena, and, most remarkably, the very cute Sophie Banaag, the youngest member of the cast -- telling us to “just call us friends” instead.

However, the definition and image of how "dwarves" should look like are simply too deeply ingrained in us, so it may take some time for kids and parents to accept Vogt and Friedman's definition, despite their noble intention. In fact, I thought  the two actors who played the palace guards in that show I watched looked more like dwarves than the actual "dwarves." (Also alternating as Dwarves are Kenny Isidro, Jay Barrameda, Basti Santos, Reese dela Vega Iso, Tiago Santos, and Mica Fajardo.)

Watching this hour and a half (with an intermission) was a rollicking fun time, especially with the kids in the audience all engaged and interacting with the colorful and wacky characters and their silly antics. It was heartening to hear the excited chatter and laughter of future theater lovers, which is certainly always an additional bonus when we watched these delightful RTYA productions over the years since 1992.

******

"SNOW WHITE AND THE PRINCE" runs weekends from September 16 to December 17, 2023 at the Onstage Theater in Greenbelt 1 in Makati City.  Tickets can be booked at the Ticket2Me or Ticketworld websites, with prices ranging from P2000 (orchestra center) to P800 (balcony). 

Greenbelt 1 is scheduled to be demolished and rebuilt by January 2024, so this will be the final production staged at Onstage. (RTYA's first play at Onstage was "Beauty and the Beast" in 2003.) In the meantime, the upcoming 2024 season of REP (with four exciting productions) will be staged at the RCBC Theater.


Wednesday, October 4, 2023

Harlequin: Review of HALIMAW: Mythic Metaphors

October 3, 2023


The current King of the Philippines (Bene Manaois) was a sadistic tyrant who cut off the heads of people who went against his wishes. One day, his three daughters, all named Maria (Andrea Mendoza, Keanna Encarnacion, Reina Tejada), went missing. A lowly, dim-witted janitor at the palace, Alberto (Noel Comia, Jr.) took it upon himself to track the princesses down and rescue them. 

With magical items he "borrowed" from characters of local myth, Alberto went on his quest accompanied by twin brothers, the Juans (Joaquin Naguit, Gian Torres). The boys located and released the three Marias from the captivity of three monsters -- the flamboyant Bb. Sirena (Vinas Deluxe), the old-fashioned Gng. Purista (Murline Uddin) and the vicious three-headed G. Dragon (Huse Timbungco).

Alberto (Noel Comia, Jr.) and Maria 1 (Andrea Mendoza)

The original material by Isagani R. Cruz was a zarzuela first staged in 1971. Noted theater stalwarts from PETA -- stage director Raffy Tejada, musical director Vince Lim, and choreographer Carlon Matobato -- have updated it into a pop-rap musical-comedy to appeal to the Gen Z/ Gen A audience. This current incarnation runs for almost three hours, with a 10-minute intermission between the two acts.

The setting was basically a reworking of local fantasy classic "Ibong Adarna" tropes of the Philippines as a monarchy. The current ruler was an abusive King with a harem of 11 wives. It would be stated later in Act 2 that the government had once been a democracy, but that this monarchy seemed easier to run and more efficient for the leader. A dilemma about this issue would be tackled towards the end.

Gng. Purista (Murline Uddin), G. Dragon (Huse Timbungco) 
and Bb. Sirena (Vinas Deluxe)

More touches of local folklore would be shown in the forms a duwende, nuno sa punso, enkantada and tikbalang, whom Alberto would outwit to gain paraphernalia with supernatural powers useful for his quest. These were magic boots for instant translocation, a magic ring for instant knowledge in the form of a information genie, a magic guitar to coerce anyone to dance, and a magic hat to render him invisible. 

Production designer Leeroy New's designs can be seen in both local and international productions of both film and theater. His vision for this production were ambitious given the epic scope of the story. However, budget constraints were real issues here, so the sets may not look as sturdy as they should be. Any action that took place on the second level of the stage looked precarious for the actors. With all the movement up and down the set, I trust that precautions were in place for the safety of all concerned.

The King (Bene Manaois) and his Harem

Costume designer Santi Obcena gave the Sirena a shimmering green gown with a huge seashell-shaped headpiece, and tentacles which needed two assists to carry. Gng. Purista's costume was all-white satin dress embellished with water bottles at the back part, formed to look like spider legs. G. Dragon carried a giant paper-mache head at his back, while two assists carried the two other heads and the dragon's long body made from gallon water bottles painted red. In contrast, the three Marias all had drab outfits, rather ironic in my opinion. 

The show I watched was the press preview held two days before the formal opening. I am not sure if the cast was entirely ready to perform in front of an audience yet at that point in time, as the acting still felt rather awkward and rough overall. The projection of voices were inconsistent so there were several lines which could not be understood clearly. The singing was not yet on point nor perfectly in unison or harmony at all in the group numbers. I do cut this show some slack as this was a student production after all. 

The Full Ensemble

I believe the confidence of the actors will improve more with each show coming up, so I am not so worried about that. However, I hope the societal ills that each evil monster was supposed to represent could be more clearly pointed out and emphasized, so that their defeat would be more meaningful. In a colorful humorous show like this, the visual spectacle and jokes tend to overshadow the full patriotic message, even if a sidebar about the Kian delos Santos murder and the singing of the National Anthem attempt to bring the focus back.

**********

"Halimaw" runs from October 4-5 (2:00 pm) and 5-7 (7:30 pm) at the Teresa Yuchengco Auditorium, on the fifth floor of the Don Enrique T. Yuchengco Hall, De La Salle University. 

Purchase your tickets from these links as follows: Premium Seating, Orchestra, & Balcony 1 (LINK), Balcony 2 (LINK). Ticket prices are: P1,500 for Premium Seating, P700 for Orchestra, P500 for Balcony 1 and P350 for Balcony 2.