Sunday, January 24, 2016

Recap of EXO PLANET #2 The EXO'luXion MANILA Day 1: Solid Show, Sorry Sound

January 24, 2016



Thanks to my daughter, I have seen my third K-Pop concert within the last 10 months! First it was "Best of Best" (with Super Junior and Girls Generation) last April, then Infinite last November, and now this one. I thought the start of the promotion of this concert was so good. Flyers announcing it were distributed to still giddy fans coming out of the Infinite concert at the MOA Arena. 

The excitement was so high such that seats quickly ran out during the pre-sale for Globe subscribers the day before the actual public sale! Consequently, I was only able to get front row Gen Ad tickets at the extreme side (Section 517). Due to public clamor, a second concert day was opened to accommodate thousands of disappointed fans (much like that of One Direction and Madonna).  

I had to take a leave from work that whole Saturday in order to do my chaperone duties. That morning, my daughter had a volleyball match in a school in Manila with her varsity team. From there, after a quick takeout lunch, we went directly to SM MOA area already, together with my son who was going to experience his first KPop concert. Traffic was not as bad as we were afraid of, so we got there in less than an hour. 


Fan Merchandise and Giveaways

There were already so many girls also walking around wearing their EXO shirts, proudly displaying their EXO stuff. It turns out that my daughter had prizes to pick up from various fan group raffles she joined on Twitter. These giveaways were scattered all around the MOA from the E-Com Center to the main mall to the Arena itself. It felt like we joined an scavenger hunt walking around looking for these meetups -- exhausting for the senior chaperone, haha!  

We ate an early dinner by 5:30 pm before heading off to the Arena. Of course, there were already so many people there. It was only past 7 pm before they allowed fans to enter the concert venue proper. The last fans allowed to enter were the ones in the standing room VIP sections around the large stage set up on the floor. The fans were really very very high with anticipation. They were cheering every video that was shown on the screens -- from S.M. Production ads as well as MOA Arena concert rules VTR.  


Ocean of Silver

By 8 pm, the house lights dimmed and the venue became a shining ocean of silver lights. The official elaborate space-themed concert intro video began to play accompanied by the fangirls' screaming pandemonium reverberating all over. 

The boys entered the stage wearing gold coats over white shirts and black pants. The opening salvo was a trio of big hits "Overdose," "History" and their new hit from 2015 "El Dorado." From the get-go, we already got a dose of the problems which we will plague our concert experience for the rest of the night.


One, the sound quality in our section was terrible. I barely hear anything from the boys at all. I can only recognize songs when the audience was singing the words along. The loud singing of the crowd also made the boys' singing practically inaudible in our area.

Second, the fans in the back row of the Upper Box in front of us were very inconsiderate. Instead of staying on their seats, these girls ran over to the stairwell in front of them and covered our only view of the projection screen. No amount of shouting at them by the entire Gen Ad section behind me would make them budge until most of them sat down much later in the show. A particularly stubborn and shameless girl with a brown backpack and iPad NEVER sat down. Not a few people around me were taunting her to jump. A few wanted to throw her water bottles to hit her, but no one actually dared. 



The first time the boys lined up onstage to talk to the audience, the sound problem and our inability to see them close up on the big screen continued to plague our enjoyment of the show. We barely heard them speak. To make matters worse, the female English interpreter had a thin squeaky (think Mickey Mouse) which was unintelligible as well. I personally did not understand anything said in these spiels, and there were four of them throughout the show. I only saw their faces in the last one, just before the show ended, only because by then those pesky girls in front of us had already sat down.


CHEN

CHANYEOL

The following numbers (like "Don't Go" and the set following it) were danced in the hexagonal stage at the end of the long catwalk from the main stage. The audience was enthralled by the elevating sections of that stage and the colorful lights show further enhancing those songs. The boys paired off by twos in various parts of the stage and had spot dance routines with each other. 

The dancing, the stage design and the lights were amazing, but unfortunately the singing could not be heard clearly from where we were. Ending this section in a unique fashion was the gentle ballad "My Answer," sung by D.O. and Suho with Baekhyun playing the piano on a small stage that moved around the main stage.


BAEKHYUN

SUHO

During the break, the boys changed into dark red coats and black shirts underneath. Unfortunately for us, we hardly saw this next set of songs (like "The Star" and "Exodus") because they were being performed on a tiered metal frame located deep on the main stage. The tickets of these seats beside the stage with partially obstructed views should really be sold at a lower price that the other seats in that level. It is not definitely not the same concert experience here on the fringes.


For the next set, the boys came out wearing funny-looking red Mickey Mouse-like ears, singing songs like "XOXO".  Of course, the girls in the audience found it all very cute. I was chuckling to myself as I wonder what the boys themselves really feel like during this section of the show. After this, there was slight break when the boys teased their female fans by changing their brown shirts into white t-shirts behind a white screen on center stage. They then charged out of the screen in a rain of golden confetti, and sang a couple more songs. Then went to sing some Christmas-themed songs, like "Miracles of December."


KAI

XIUMIN

The next segment of the show was the most visually spectacular. There was this diamond-like metallic pod that Chen entered in the middle of the hexagonal stage. Then he DJ'ed renditions of high energy remixes of hits like "Drop That" and "Let Out the Beast" among others that had the audience jumping. The lighting of the stage during that part was psychadelic and exciting. Too bad the sound quality of the audio never improved.




In the next segment of the show, the boys changed into grey-striped coats over a white t-shirt and black pants or shorts. The next three big hit songs "Call Me Baby", "Growl" (VIDEO) and  "Love Me Right" (VIDEO) were accompanied with some very nifty dance moves. This was my personal favorite part of the concert. 


SEHUN

D.O.

The boys came back on stage to say more messages to their fans. Mercifully, we can now see their faces on the big screen because those inconsiderate girls in front of us (except the brown backpack girl) sat down on the floor. It was only now that I can see their faces more clearly and take photographs of them. 



They sang "Sing for You" and a couple more ballads and suddenly, without warning, it was already the end of the show. You will see what obstruction I mean when you watch the video. It was really very annoying. However, I did not realize this part was already the encore part of the show. The final song "Angel" was the final song of the whole show. There was a big shower of confetti all over the theater to mark the end of another extravagant and very successful Kpop show.


Final Shower of Confetti

As this show ended, I was impressed with the boys' skill in dancing and the elaborate production value. Too bad though that I was not actually able to hear them sing. I was disappointed how this show turned out for us up there in Section 517. Actually we had the same bad experience when we watched the NKOTBSB show in approximately the same place, and barely heard the music nor the singing. 

Therefore we conclude that we should never again watch a show in those nether-sections presumably behind the speakers of the SM-MOA Arena. I wonder if the Arena technicians are aware of this sound issue which apparently never addressed all these years. The price of those seats are the same as the other seats in Gen Ad and so people there should hear the same thing everyone hears around the whole Arena.



Friday, January 22, 2016

THE BILLBOARD HOT 100 SONGS OF 2015!

January 22, 2016




Here are the Hot 100 Singles of 2015 as ranked by Billboard Magazine. This year-end recap is based on Billboard Hot 100 chart performance during between the Dec. 6, 2014 and Nov. 28, 2015-dated charts. This is a list of last year's most popular songs across all genres, ranked by radio airplay audience impressions and sales data as measured and compiled by Nielsen Music, and streaming activity data provided by online music sources.


1 UPTOWN FUNK!, Mark Ronson Ftg. Bruno Mars (#1 for 14 weeks, Jan - Apr)
2 THINKING OUT LOUD, Ed Sheeran (#2, Jan)
3 SEE YOU AGAIN, Wiz Khalifa Ftg. Charlie Puth (#1 for 6 weeks, Apr - May)
4 TRAP QUEEN, Fetty Wap (#2, May)
5 SUGAR, Maroon 5 (#2, Mar)
6 SHUT UP AND DANCE, Walk the Moon (#4, May)
7 BLANK SPACE, Taylor Swift (#1 fr 7 weeks, Nov 2014 - Jan)
8 WATCH ME, Silento (#3, Jul)
9 EARNED IT (FIFTY SHADES OF GREY), The Weeknd (#3, May)
10 THE HILLS, The Weeknd (#1 for 6 weeks, Oct - Nov)



11 CHEERLEADER, OMI (#1 for 5 weeks, non-consec, Jul - Sep)
12 CAN'T FEEL MY FACE, The Weeknd (#1 for 3 weeks, non-consec, Aug - Sep)
13 LOVE ME LIKE YOU DO, Ellie Goulding (#3, Mar)
14 TAKE ME TO CHURCH, Hozier (#2, Dec - Jan)
15 BAD BLOOD, Taylor Swift Featuring Kendrick Lamar (#1 for 1 week, Jun)
16 LEAN ON, Major Lazer & DJ Snake Featuring M0 (#4, Aug)
17 WANT TO WANT ME, Jason Derulo (#5, Jun)
18 SHAKE IT OFF, Taylor Swift (#1 for 4 weeks, non-consec, Sep -Nov 2014)
19 WHERE ARE U NOW, Skrillex & Diplo With Justin Bieber (#8, Jul)
20 FIGHT SONG, Rachel Platten (#6, Aug)


21 679, Fetty Wap Featuring Remy Boyz (#4, Oct)
22 LIPS ARE MOVIN, Meghan Trainor (#4, Dec 2014)
23 WORTH IT, Fifth Harmony Featuring Kid Ink (#12, Jul)
24 POST TO BE, Omarion Featuring Chris Brown & Jhene Aiko (#13, Dec 2014)
25 HONEY, I'M GOOD., Andy Grammer (#9, Jun)
26 I'M NOT THE ONLY ONE, Sam Smith (#5, Dec 2014)
27 GOOD FOR YOU, Selena Gomez Featuring A$AP Rocky (#5, Oct)
28 ALL ABOUT THAT BASS, Meghan Trainor (#1 for 8 weeks, Sep - Nov 2014)
29 STYLE, Taylor Swift (#6, Mar)
30 HOTLINE BLING, Drake (#2, Oct)


31 HEY MAMA, David Guetta Featuring Nicki Minaj, Bebe Rexha & Afrojack (#8, Jun)
32 G.D.F.R., Flo Rida Featuring Sage The Gemini & Lookas (#8, Apr)
33 WHAT DO YOU MEAN?, Justin Bieber (#1 for 1 week, Sep)
34 PHOTOGRAPH, Ed Sheeran (#10, Sep)
35 HELLO, Adele (#1 for 10 weeks, Nov - Jan 2016)
36 STITCHES, Shawn Mendes (#4, Nov)
37 TALKING BODY, Tove Lo (#12, Feb)
38 JEALOUS, Nick Jonas (#7, Jan)
39 TIME OF OUR LIVES, Pitbull & Ne-Yo (#9, Mar)
40 LOCKED AWAY, R. City Featuring Adam Levine (#6, Oct)



41 SOMEBODY, Natalie La Rose Featuring Jeremih (#10, Apr)
42 FOURFIVESECONDS, Rihanna & Kanye West & Paul McCartney (#4, Feb)
43 CENTURIES, Fall Out Boy (#10, Feb)
44 MY WAY, Fetty Wap Featuring Monty (#7, Aug)
45 TAKE YOUR TIME, Sam Hunt (#20, Apr)
46 ANIMALS, Maroon 5 (#3, Nov 2014)
47 I DON'T F**K WITH YOU, Big Sean Featuring E-40 (#11, Nov 2014)
48 B**** BETTER HAVE MY MONEY, Rihanna (#15, Jul)
49 FLEX (OOH OOH OOH), Rich Homie Quan (#26, Jul)
50 NASTY FREESTYLE, T-Wayne (#9, May)



51 ONLY, Nicki Minaj Featuring Drake, Lil Wayne & Chris Brown
52 ELASTIC HEART, Sia
53 COOL FOR THE SUMMER, Demi Lovato
54 RENEGADES, X Ambassadors
55 I DON'T MIND, Usher Featuring Juicy J
56 LOVE ME HARDER, Ariana Grande & The Weeknd
57 WILDEST DREAMS, Taylor Swift (#5, Nov)
58 STAY WITH ME, Sam Smith
59 YOU KNOW YOU LIKE IT, DJ Snake & AlunaGeorge
60 UMA THURMAN, Fall Out Boy



61 7/11, Beyonce
62 THE HEART WANTS WHAT IT WANTS, Selena Gomez
63 GIRL CRUSH, Little Big Town
64 SLOW MOTION, Trey Songz
65 DRAG ME DOWN, One Direction (#3, Aug)
66 TRUFFLE BUTTER, Nicki Minaj Featuring Drake & Lil Wayne
67 ONE LAST TIME, Ariana Grande
68 CHAINS, Nick Jonas
69 ALL EYES ON YOU, Meek Mill Featuring Chris Brown & Nicki Minaj
70 NO TYPE, Rae Sremmurd



71 RIPTIDE, Vance Joy
72 CLASSIC MAN, Jidenna Featuring Roman GianArthur
73 EX'S & OH'S, Elle King (#10, Nov)
74 DEAR FUTURE HUSBAND, Meghan Trainor
75 MARVIN GAYE, Charlie Puth Featuring Meghan Trainor
76 LIKE I'M GONNA LOSE YOU, Meghan Trainor Featuring John Legend (#8, Dec)
77 HABITS (STAY HIGH), Tove Lo
78 THE HANGING TREE, James Newton Howard Featuring Jennifer Lawrence
79 COCO, O.T. Genasis
80 BANG BANG, Jessie J, Ariana Grande & Nicki Minaj



81 LAY ME DOWN, Sam Smith
82 TUESDAY, I LOVE MAKONNEN Featuring Drake
83 HIT THE QUAN, iLoveMemphis
84 DOWNTOWN, Macklemore & Ryan Lewis Featuring Eric Nally, Melle Mel, Kool Moe Dee & Grandmaster Caz
85 HOUSE PARTY, Sam Hunt
86 AYO, Chris Brown & Tyga
87 KICK THE DUST UP, Luke Bryan
88 BLESSINGS, Big Sean Featuring Drake
89 BUDAPEST, George Ezra
90 CHANDELIER, Sia



91 HEARTBEAT SONG, Kelly Clarkson
92 DON'T, Ed Sheeran
93 GHOST, Ella Henderson
94 HERE, Alessia Cara
95 WAVES, Mr. Probz
96 EL PERDON (FORGIVENESS), Nicky Jam & Enrique Iglesias
97 SHE KNOWS, Ne-Yo Featuring Juicy J
98 NIGHT CHANGES, One Direction
99 BACK TO BACK, Drake
100 HOW DEEP IS YOUR LOVE, Calvin Harris & Disciples


******

PAST YEAR-END HOT 100 LISTS:

2014 -- 2013 -- 2012





Sunday, December 20, 2015

My Yearend Roundup: The BEST of PHILIPPINE THEATER 2015

December 21, 2015

For the year 2015, I had seen and written about 44 theater productions: 12 musicals, 17 full-length plays, 12 one-act plays and 3 experimental productions. 

Still, that is only a fraction of everything the very active local theater scene has offered for the general public in the past year.  The remarkable array of straight plays of various genre were offered, more than there were musicals. Heavy traffic conditions going to Manila and especially Makati is a very real challenge nowadays. However the passion for witnessing Filipino theater talent and creativity remains a strong incentive for me to catch as many productions as possible. Too bad that I had not been able to see "Time Stands Still," "Saturday Night Fever: The Musical," and "Maniacal" because of schedule conflicts. 

I will list here what I feel were the best among those theater shows I have seen and written about for 2015. (My 2014 list was posted HERE.)


I.  FILIPINO MUSICALS:

Best: KUNG PAANO AKO NAGING LEADING LADY (My Full Review)

Book by: Carlo Vergara
Music and Lyrics by: Vincent de Jesus
Directed by: Chris Martinez

Mely Moran is a homely hardworking 35-year old woman who gets hired to be the maid of Fuerza Filipinas. Her sister Viva, on the other hand, gets recruited by a nefarious group of supervillains, the Kayumanggilas. Mely and Viva had long been at odds with each other since childhood because of their disparate personalities. However, with this latest and biggest misunderstanding, their unstable and adversarial relationship as sisters results in a conflict that would threaten the very safety of the whole world. 

Whatever shortcomings the very complex script may have with all the characters it had to deal with, it is the talent and charisma of the actors that become the crowning conceit of the whole show. Every actor just seemed to embrace their character perfectly, possessing voices that were able to soar with the punishing arrangements. It was one of those rare productions that brought together actors more known for their English plays and those more known for Filipino plays. I found this very exciting.  

Other Notable Productions:

Mabining Mandirigma (My Review)
#Popepular (My Review)

Notable Performances: 

Bituin Escalante, Kim Molina, Natasha Cabrera, Gianina Ocampo, Nar Cabico and Markki Stroem (Leading Lady), Delphine Buencamino and Antonio Ferrer (Mabini), Vincent Tanada and Cindy Liper (#Popepular), Myramae Meneses (Kanser@35), Cris Villonco (Bituing Walang Ningning), Fred Lo and KL Dizon (Manhid)


II. NON-FILIPINO MUSICALS:


Best: THE BRIDGES OF MADISON COUNTY (My Full Review)

Book by: Marsha Norman
Music and Lyrics by: Joseph Robert Brown
Director: Bobby Garcia

From war torn Naples, Italy, young Francesca met American soldier Bud Johnson and decided to go back to the US with him to get married. 18 years and two teenage children later, 1965, Francesca lived a simple farmer's life in remote Winterset, Iowa. One weekend, while the rest of her family was out to the State Fair in the city, Francesca met a "National Geographic photographer Robert Kincaid who asked her directions to a Roseman Bridge. Feeling an irresistible attraction borne out of her loneliness, Francesca fell deeply in love with Robert and gave in to her passionate desires.

Joanna Ampil was able to fully evoke the loneliness and unhappiness of her character so well that we reluctantly "understand" what she did. This whole show is Ampil's showcase and she carried it with full heart and soul. Francesca Johnson will be her signature role as far as the annals of Philippine theater history is concerned. 

Other Notable Productions:

La Cage Aux Folles (My Review)
The Secret Garden (My Review)

*** Foreign Touring Production: Singin' in the Rain (My Review)

Notable Performances: 

Joanna Ampil, MiG Ayesa, Nino Alejandro, Emeline Celis-Guinid, Carla Guevara-Laforteza (Bridges), Audie Gemora, Michael de Mesa, Sheila Francisco (La Cage), Caisa Borromeo and Noel Comia Jr. (The Secret Garden)


III. FILIPINO PLAYS:

A. One-Act: 

Best: SI MARIA ISABELLA AT ANG GURYON NG MGA TALA (My Full Review)

Written by: Eljay Castro Deldoc

Directed by: Ed Lacson, Jr.

Maria Isabella asks the kite master Sr. Melchor Antebades to make her a kite which could bring her up among the stars, so her love Lorenzo would see her. Sr. Melchor gave her an incredible list of materials she needed to collect all from all over in order to make this kite. Maria Isabella asks her younger friend, a nameless butcher's apprentice, to accompany her on her trip. They never thought that their quest for these materials would take them 60 years!

This script was written by Eljay Castro Deldoc based a book by Dean Francis Alfar entitled "A Kite of Stars" (I have to look for this book!). This was unlike any other play I had seen in the Virgin Labfest before, because of it was a whimsically romantic play for children. It was imaginative the way the fantastic tale was told with puppets and shadowplay. I can totally imagine TP or PETA picking this timeless one-act play up and developing it into a gorgeous full-length production which can run forever to entertain generations of kids for years to come. 

Other Notable Productions: 

Hintayan sa Langit (My Review)

Notable Performances: 

Nonoy Froilan and Edna Vida Froilan (Hintayan sa Langit), Gio Gahol and Acey Aguilar (An Expected), Dido de la Paz and Meann Espinosa (Mapagbirong Haplos)


B. Full-Length: Original Filipino Material or Filipino Adaptation: 

Best:  MGA BUHAY NA APOY (My Full Review)

Written and Directed by: Kanakan-Balintagos

Leda Santos was very excited that her estranged daughter Aurora Alba was moving back home. To welcome her back, Leda hosted a family get-together in their spacious garden at their mansion in Sampaloc. Invited are Leda's sisters, Lili and Selmah, and their respective families. Leda's artist son Aran was also happy that his sister is coming home, but he was constantly at odds with his mother, even during the party itself. The deeper the night got and the conversations got more intense, long-repressed family secrets all come spilling out, threatening to rip the broken family further apart.

The entire first two acts were but an extended introduction to the main meat of the play in the explosive Act 3. In fact, Act 3 alone is already worth the price of admission for the impressive flow of the dialogue and the array of fine acting on display. Kanakan-Balintagos has written and told an intricate story about how a life full of pain, heartache and suffering in one person affected the life of every person in her immediate family, mixed in with Palawan folklore. This is an uncommonly powerful piece of Filipino theater with distinct ethnic pride. 

Other Notable Productions: 

The Horse and his Boy (My Review)
# R </3 J (My Review)
Arbol de Fuego (My Review)
Juego del Peligro (My Review)
Noli at Fili Dos Mil (My Review)

Notable Performances:

Irma Adlawan (Mga Buhay na Apoy), Joel Trinidad, Reb Atadero and Cara Barredo (Horse), Roco Sanchez and Francesca Go (# R </3 J), Cherie Gil, Jake Macapagal, Angeli Bayani and Divine Aucina (Arbol), Shamaine Centenera-Buencamino, Arnold Reyes and Adrienne Vergara (Juego), Lucho Ayala, Jack Yabut and Neomi Gonzales (Noli at Fili), Jasmine Curtis Smith, Sarah Facuri and Micah Munoz (No Filter), Jojo Cayabyab (Haring Lear)


IV. NON-FILIPINO PLAYS:

Best: THE NORMAL HEART (My Full Review)

Written by: Larry Kramer
Directed by: Bart Guingona

The setting is 1981 in New York City. Writer Ned Weeks is very distressed that many of his fellow gay friends have been dying of a mysterious disease affecting the immune system. Initial evidence points to promiscuous sexual practices among homosexuals as the possible mode of infection. Ned Weeks begins his aggressive and active educational campaign. However, the gay community of that time, including Ned's friends, was very resistant to this idea of changing their habits. The government was not inclined to help in their marginalized cause as the death toll continued to rise.

The caliber of the acting in this ensemble piece of theater was astounding. Every actor in the eight-member cast had their big difficult dramatic moment which they attacked with such deep-seated emotional ferocity. You can feel the boiling frustration within Ned Weeks with Bart Guingona's raw and passionate performance.You can witness the gradual withering away of Felix Turner from a vibrant bon vivant into a pale white ghost with Topper Fabregas' sensitively delicate performance. Roselyn Perez, as polio-stricken, wheelchair-bound Dr. Emma Brookman, gave such a tour de force performance, unforgettable in its sheer bravado, seething with pulsating anger. 


Other Notable Productions:

33 Variations (My Review)
4000 Miles (My Review)
This is Our Youth (My Review)

Notable Performances: 

Jef Flores (This is Our Youth, 4000 Miles), Bart Guingona, Topper Fabregas, Richard Cunanan, TJ Trinidad and Roselyn Perez (Normal Heart), Shamaine Centenera-Buencamino and Teroy Guzman (33 Variations), Jamie Wilson and Jeremy Domingo (Run for Your Wife), Nicco Manalo (This is Our Youth), Baby Barredo (4000 Miles)


Saturday, December 5, 2015

Review of Atlantis' THE BRIDGES OF MADISON COUNTY: Lyrical Loneliness

December 5, 2015



"The Bridges of Madison County" is a popular 1992 novel by Robert James Waller, selling more than 50 million copies worldwide. In 1995, a film version was made starring Hollywood royalty, Meryl Streep and Clint Eastwood, in the lead roles. In 2013, a musical play was crafted with book by Marsha Norman (who also wrote "The Secret Garden") and music and lyrics by Joseph Robert Brown (who did "The Last Five Years"). Not really too fond of this genre, I was initially not inclined to brave the ever-worsening Makati traffic to go watch it. However, the rave reviews this show got from its first week made it difficult to resist.

From war torn Naples, Italy, young Francesca met American soldier Bud Johnson and decided to go back to the US with him to get married. 18 years and two teenage children later, 1965, Francesca lived a simple farmer's life in remote Winterset, Iowa. One weekend, while the rest of her family was out to the State Fair in the big city for four days, Francesca met a "hippie" National Geographic photographer Robert Kincaid who asked her directions to a certain Roseman Bridge which he needed to take pictures of.  Feeling an irresistible attraction borne out of her loneliness, Francesca fell deeply in love with Robert and gave in to her passionate desires.

This is a story that would evoke different reactions from men and women. Women see this story as wish-fulfillment for a strong handsome man to sweep them off their feet and rescue them from their humdrum existence. For men though, this is a horror story of what may happen behind their backs if they, as husbands, were not sensitive to their wives' hidden frustrations about their lives. The success of the book and the movie are already proof of the story's connection with its audience. The creation of this musical thirty years after the book came out was further proof of its timeless appeal, mainly for women.

I have long-heard of Joanna Ampil and her singing and acting talents already recognized in the West End in London. However, this is the very first time I was seeing her perform. I was blown away from the very first note that came out from her as she opened the show with her first song "To Build a Home."  Her singing was, in a word, glorious. I did not immediately catch that she was Italian as the accent was very subtle, but I did not mind. Ampil was able to fully evoke the loneliness and unhappiness of her character so well that we reluctantly "understand" what she did. This whole show is Ampil's showcase and she carried it with full heart and soul. Francesca Johnson will be her signature role as far as the annals of Philippine theater history is concerned. 

Migs Ayesa we first knew from his stint as contestant in the TV search for the new lead singer of INXS. We are fully aware of his soaring rock vocals which he already showed local audiences as the crazy rock star Stacee Jaxx in the Atlantis production of "Rock of Ages." His Robert Kincaid was the ideal paperback romantic hero, a shy silent loner with his sculpted torso who sings well too, the stuff of an insecure husband's nightmares. Ayesa impressibly nailed all his punishing notes down, although his singing voice may tend to be nasal in the higher registers. He also had several effectively quiet moments singing serious sentiments in acapella in songs like "It All Fades Away", which were likewise impressive.

I do not know if this was Nino Alejandro's first major theater production, but he certainly played the role of the cuckolded husband Bud with restraint expected from his inarticulate character, with his open face wordlessly clear of his gradual realizations. His numerous phone call scenes could have been so simple mundane, but with them, Alejandro was able to make us feel his growing anxieties. His featured song “Something from a Dream” was poignantly expressive of his love for his wife. 

Neighbors and close friends Charlie (Jamie Wilson) and Marge (Emeline Celis-Guinid) somehow put two and two together when they saw Kincaid's truck parked outside the Johnson farm overnight. These two were a delightfully nosy couple yet they knew their place. Celis-Guinid surprised us with her sultry rendition of a radio love song “Get Closer” in total contrast with the shrill voice of Marge. Wilson can play any character with empathy and homespun charm. He also gets to sing a moving song "When I'm Gone" with Alejandro. 

The goings-on of the two Johnson kids, Michael and his rebellious phase (played by Bibo Reyes) and Carolyn and her prize steer (played by MIkkie Bradshaw) were obviously just thrown in to prolong the story, but those petty squabbles between these two tended to make the storytelling a bit messy. There was an additional character, Robert’s ex-wife, Marian, that was not entirely necessary. However, the beautiful Carla Guevara-Laforteza made magic with her one featured song "Another Life”, with guitar playing to boot!

When you first enter the theater, you see a bare stage with a wooden floor and three walls of framed photographs surrounding it. During the course of the play, the company ensemble (Steven Conde, Nel Gomez, Franz Imperial, Yanah Laurel, Abi Sulit and Teetin Villanueva) will be revealing surprises from behind these frames. The props were so simple yet so effective in delineating space and even perspective. You should see how those step ladders become doorways, the refrigerator or Roseman bridge itself. I even like the sink and counter with the realistic carrots. This innovative set design was courtesy of Faust Peneyra.

The songs in this musical were a curious mix of show tunes tinged with Country and Gospel flavors in keeping with its setting in the American heartland. The love songs were quite Pop in style, laced with R&B and Rock. Musical director Ceejay Javier led his orchestra through these various styles. Joseph Robert Brown's style of flight-of-ideas songwriting (which we heard in "The Last Five Years" with mixed results) is clearly dependent on the singer's talents to breathe life and emotion into them. As usual, the Filipino performers rise up to the challenge successfully. Kudos to director Bobby Garcia for another triumphant production!

***************

"The Bridges of Madison County" opened last November 20, 2015 and will be winding up their run on December 6, with two shows at 3 pm and 8 pm. Venue will be at the Carlos P. Romulo Theater at the RCBC Plaza, Makati City. Ticket prices from P3000 to P900. Check out Ticketworld.com to buy your tickets.

To get a feel of the music, below is a video of one of the best and most memorable songs from the show, the love duet "One Second and a Million Miles" rendered by the original Broadway stars, Kelli O'Hara and Steven Pasquale: 




Sunday, November 29, 2015

Review of Repertory Phils THE SECRET GARDEN: Melancholic but Moving

November 29, 2015




"The Secret Garden" is a 1991 musical with Tony-award winning book and lyrics by Marsha Norman and music by Lucy Simon, based on the 1911 novel of the same title by Frances Hodgson Burnett. I know two songs from this show from previous Broadway concerts, but I had never seen the actual musical performed yet. I was excited when I learned it was being staged by Repertory Philippines, and directed by no less than the renowned Anton Juan. Though I had a basic idea what the story of the novel was, I had no inkling on how it would be told as a musical.

A spirited 10-year old English girl living in India was left orphaned by a cholera epidemic, so she had to be brought back to England to live with Sir Archibald Craven, the widower of her mother's sister Lily who died in childbirth. While Mary was haunted by ghosts of her parents and other departed people in their household in India, her uncle is still grief-stricken with the death of his wife several years back. While she spends her days exploring the house, Mary finds her sickly cousin Colin who had been confined to quarters since birth by his uncle Dr. Neville Craven, as well as her aunt Lily's forgotten garden, closed down since her death. While her Uncle Archie was away, Mary sought to help both Colin and the garden recover their vitality. 

For what was supposed to be a production aimed for children, the book and music of this show can be too morose and depressing and even creepy for comfort. Those pale-hued antique-looking costumes and the seemingly sheet-covered sets add to the lonely and dreary atmosphere. Throughout the show, there were several slow monotonous, occasionally dissonant, songs being sung by a chorus of ghosts, including dear Aunt Lily herself included in full white lady regalia. Very young kids can get restless or sleepy with some parts of this.



 (Photo Credit: Dr. Phil Fernando)

However, what kept the audience riveted were the performances of the talented all-Filipino cast, who never fail to bring even the most foreign of stories into vivid convincing life. Two children lead this cast: Ashlee Factor (as Mary) and Noel Comia Jr. (as Colin). The two kids did very well indeed. Factor had a harder time earning our sympathy since her character Mary was headstrong and disobedient, yet eventually she also won us over with her perseverance and good heart. Comia on the other hand gave a winningly charming performance despite being in a difficult role that required him to be a miserable cripple.

Among the adult cast members, I would cite Caisa Borromeo and her ethereally pristine soprano as the ghost Lily to be the best vocal performance in this show. Her songs were the most melodious of the lot, namely "Come to My Garden" and the exquisitely beautiful "How Will I Ever Know". Lorenz Martinez had a rather drab role in Archibald, but he gets to showcase his tenor my personal favorite song in the show, "Lily's Eyes", a duet with Noel Rayos, who had just the right touch of sinister as Archie's brother, Dr. Neville CravenBecca Coates in the role of the maid Martha shines in her featured song number "Hold On"There were probably only two upbeat songs sung by young gardener Dickon (a chipper Red Concepcion), that manage to cheer the dark mood up for a while. 

All in all, this was a very pleasant way to spend a couple of hours, transported to aristocratic England.  For me, it was worth it just to see "Lily's Eyes" and "How Would I Ever Know" performed live in the proper context within the play. The more eventful second act is more engaging than the somewhat turgid first act. The magical transformation of the generally gray and colorless set and costumes at the end made for a moving final tableaux which will make you smile.

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"The Secret Garden" has five more shows left (Dec. 5 8 pm, Dec. 12 and 13, 3:30 pm and 8 pm) at Onstage, Greenbelt 1, Makati City. Ticket prices range from P1000 to P500. Check out Ticketworld or call Repertory Philippines at 843-3570.


Saturday, November 21, 2015

Recap and Videos of SAM SMITH Live in Manila 2015: Sincere, Soulful and Sentimental

November 22, 2015




Late last year, I bought tickets on the afternoon of the first day of ticket sales, and already failed to get the section I preferred. Anyhow, I got good enough seats for my purposes. If you see the poster, the tickets prices were not too high )nothing Madonna 58K-crazy!), so this concert set for May 10, 2015 quickly sold out. 

By December 7, 2014 though, there was a surprising announcement of a postponement of this much awaited concert. Sam Smith posted a message online to explain that he had "serious issues" with his vocal cords that needed to be addressed by an American specialist. He adds that this is "horrible" for him and he is truly very sorry. Tickets for the original date will be honored for the new date yet to be announced. By July 15, 2015, the new date was confirmed to be November 21, 2015.


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We reached the Arena about 7:30 pm. It was different this time. Instead of everyone entering the venue via the entrance on Coral Way like all the previous concerts I had been to before, some of us were diverted to walk all the way around the building to enter via the Marina Way. It was my first time to see that part of the MOA Arena.

When we reached our seats, there was a lone DJ on stage playing electronica mixes. I recognized "Need You Tonight" by INXS as one of the songs in the mix. It was not yet 8 pm yet this front act was already playing. His set ended by about 8:15 pm. He did not speak anytime during his performance. I did not even hear him introduce himself.


Sam Smith on the Screen

By about 9 pm, the house lights dimmed and the show was about to begin. There were flashes of light on the stage whenever Sam Smith's distinct tenor voice started to sing. The first three songs he sang were not too familiar to me but they were very catchy just the same: "Life Support," "Together" and "Leave Your Lover." 

In his spiel, he mentioned he about his cancellation, which is why this night is a "specially special night" so intends to sing harder than he does. Since Smith only has one album so far, it was not surprising that some fans knew ALL his songs by heart, singing along with every lyric. Then as the light turned red with designs on the floor, we hear the strains of "I'm Not the Only One," a song that went to #3 in the UK and #5 in the US. The whole audience was singing along with him the whole time during this well-loved song. 



Sam Smith candidly told us a lot of personal stories behind the songs in his debut album "In the Lonely Hour", an album that signified himself being as honest as he could in the language of music. He called this album "a diary of mine." The next song is the first "really honest honest song" he wrote, "I've Told You Now." The next song I have not heard before, but it was really rousing and uplifting, "Nirvana." His signature vocals, head tones, and runs were all so especially on point in these poignant songs.

The next two songs were familiar upbeat songs that Smith had. He does not really dance too much in these songs, just like Rick Astley did back then in his upbeat songs. Everybody was singing along to catchy chorus of "Like I Can" (VIDEO) and dancing along to the Sam's dance instructions in the super-groovy "Restart." His next number was a medley of R&B covers including "Tears Dry on Their Own" by Amy Winehouse, "Ain't No Mountain HIgh Enough" by Diana Ross and "Le Freak" by Chic, which featured the strong vocals of his three back-up singers. The lighting effects of the stage were spectacular during this medley.




He then slowed down the pace again, singing two songs that he felt are the heart and soul of his debut album. He talked about falling in love with someone who did not love him back, now that he has moved on from this heartbreak, the resulting songs are now not his songs anymore, but his audience's songs already. The first of these songs is the pensive "Not in That Way," which he mixed with Elvis Presley's "Can't Help Falling in Love" to the audience's delight. The second is the very popular song "Lay Me Down," (VIDEO) his first hit as a solo artist, hitting #15 in the UK and #8 in the US.

Smith upped the tempo again with his infectious next song "La La La," a #1 song in the UK, #19 in the US, credited as Naughty Boy featuring Sam Smith. He ended his regular set with the only song in his album that was not about love, but about another artist he did not like who sang not for passion but for money. The song is "Money on My Mind," another #1 song in the UK. He mixed in a familiar line from Cece Peniston's anthem "Finally" in the final chorus of that song.  




The audience clamored for more as the house lights were dimmed. After a while, the keyboardist started to play a slow melody. Sam Smith came out and said that he will sing his 2012 song with Disclosure called "Latch" (VIDEO), his first US Top 10 hit that peaked at #8. He asked everyone to shine their phone lights as he sang a slowed-down version of this hit song. The next song was a letter his "first boyfriend" which drew cheers from his fans, "Make It to Me." He saved his biggest hit for last "Stay with Me" (#1 UK, #2 US). He called the night "amazing" an opinion which I am sure his audience all shared. That last song gained a new meaning as the fans all wanted him to stay on with them. 


The Stage Lights were Spectacular!

Concert was finished in little over an hour only. I was a bit disappointed that he did not sing "Writing's on the Wall" from the latest James Bond film "Spectre." Nevertheless, with Sam Smith's candor, friendliness and his soaring vocals, this is surely one of the best,most sincere concerts I have attended ever.